Civica Scuola di Cinema di Milano

A disillusioned priest must deal with the disappearance of one of his pinned insects: a Prosopocoilus savagei.

A young girl is getting ready to welcome a client at her apartment.The man, transposition of Don Quixote, following a precise ritual, devotes himself to the maniacal cleaning of four rooms. The girl, personification of Dulcinea, eats, reads, paints her nails and smokes. She dress up and she get undress as if Don Quixote is not present there and as if there is no relationship between them. The client, following a pathological scheme, steals some girl’s objects, he puts them in a plastic bag and than inside a small briefcase. Sometimes the objects he fetishizes are destroyed like victims of maniacal bursts. This mechanism leads to the repetition of a celibate and solitary rite.

Sher is a transgender superheroine, guardian of the trans* and queer community. Not all of Sher's missions consist in defeating supervillains; some are more mundane, at times ridiculous, but still with the support and help of her sisters in the times of need in mind.

Water flows, water goes down, a principle that has allowed the Cavour canal to flood the rice fields between Novara, Vercelli and Pavia for more than 150 years. Here, where more than 40% of European rice is produced, the man-made landscape bears witness to a delicate balance. In a flow of images, the distribution of water allows us to delve into the complex irrigation network together with its workers.

Two men are driving through the streets of Milan to transport a mysterious box. Their route is the source of other routes, which reveal an awareness of the city that was previously dormant. An awareness that is given to the viewer by the stories of the two men, now presented: Leonetto Di Ciolo and Felice Trovati. Felice is also the builder of a particular object, the Revisionist Bicycle, a pendulum clock constructed from bicycle parts that can alter the passage of time. We discover that it is precisely this totem that is the object transported at the beginning of the film, and that the two protagonists are on a mission: to place the bicycle-clock in a specific spot in the city, because Spring, understood as a form of endurance of wonder for apparently useless things, is Spring also in the city.