Les Films Hatari

The story of a family and an exploration of space in an increasingly crowded world. It follows the quest for a sexual odyssey of an individual.

A dream walk through the United States of America; a meditation on the thoughts and ideals of its inhabitants, as they are exposed in their silent but eloquent home movies.

A young woman moves to Paris and has a brush with disaster. Grown-up at last, an accomplished woman thought she was safe from her own past. Gradually, these characters come together to form a single heroine.

More young cinephiles in part three of Skorecki's three part film.

High up in a valley in the Vosges, Lucien seeks peace in utter solitude. Aline, tracking a wolf, confronts her deepest fears. And young Jade grapples with her true nature.

A major figure in contemporary feminism and the first Frenchwoman to win the Nobel Prize for Literature, Annie Ernaux is seen by many as a source of individual and collective emancipation, blending the intimate with the universal. Filmmaker Claire Simon has devoted an original portrait to her, giving students and teachers a voice.

A home-guard serviceman assigned the task of standing watch over a barren no-man's-land begins to experience an existential crisis after years of lonely service.

A young woman tries to adjust to freedom after she spends eight years as a prisoner to a strange man.

Bruno and Céline, both mentally handicapped, live in perfect harmony in a market garden. Their daily lives are turned upside down when Lucie joins the team of educators.

Twelve sequences in the life of singer/musician Philippe Katerine.

Sent to Afghanistan for 6 months, legionnaires Markov and Hamilton are caught in an ambush during an unauthorized expedition. Markov saves Hamilton, seriously wounded by rebel fire, but leaves the Legion without honors. Once back in Paris, Hamilton, convalescing, hopes to remain a legionnaire, while Markov, now a civilian and without working papers, tries to make ends meet with his son Khadji. Hamilton lends his identity to his Chechen friend, so that he can work legally. But one day, Markov disappears, leaving Hamiltion disorientated and Khadji alone in the world.

1980, following the election of Ronald Reagan, America rearms. Facing the war machine, two thousand women encircle the Pentagon and awaken another form of power, rooted in care and vulnerability.

The Senegal River forms the national border between Mauritania and Senegal. In 1989, war broke out between these countries, along and around the river. Both sides committed atrocities. Senegalese filmmaker Alassane Diago was just a young child at the time. Now he brings together his “Senegalese and Mauritanian family,” all victims or witnesses of the bloodbath, so they can talk in detail about their traumatic experiences. He wants to find the truth, and to bring about reconciliation. Why did they slaughter each other, and why were so many people “deported”? Was there systemic racism involved, under the white and Arab elite? Was it a case of ethnic cleansing?

Where we learn how Orpheus seduced Eurydice.

Lucien, in his forties, decides to leave everything behind so as to go and live in the woods. Deep in the heart of a vast mountain forest, solitude slowly reconciles with life and reinforces him. One day Laura, a friend, turns up on his doorstep and attempts to make him return to his former life.

The portrait of a self-taught man.

The French-Italian border at the Montgenèvre pass. Daytime reality: tourism, capital invested to make the mountain profitable. At night: the fragile destiny of more than ten thousand men, women and children who, in four years, risked their lives to cross the border.

Marta, a 17-year-old girl, is on holiday in an African resort with her with her estranged dad and annoying little brother. Martha’s fascination for Khouma, a Senegalese cameraman who works filming the tourists' excursions, will add even more tension to her already troubled relationship with her father.

Between a conversation on seduction and moments of her intimate life, Julia's attitude to love and to her own contradictions.