Hutong Productions

A journey through Ukraine that reveals the banality of evil behind the Russian invasion with the shocking juxtaposition of two realities: the Ukrainians who have been suffering and resisting the war violence, and the Russian military, and civilians, who have been perpetrating it.

In 1952, Anita Conti, France's first female oceanographer, embarked on a trawler to share the hard life of Atlantic cod fishermen, alone with her camera and sixty men for six months. Using her 16mm film rushes and photographs, the film reveals her scientific and yet tender gaze for the workers of the sea. This pioneering woman foresaw the need to protect the oceans.This film explores the modernity of her struggle, as well as the hazy, rhythmic beauty of her writing and photography.

When his older boyfriend loses interest in him, the filmmaker relocates to Chicago and uses dating apps to cast new lovers in an amorphous project that his mother hates.

From a cramped Mumbai storefront, Khatoon leads Mumbai's first women-led Islamic court. Amidst heated arguments and raw testimony, these female judges settle cases of domestic conflict, reclaiming religious law from male dominance to offer a new path toward grassroots justice.

Watchman Guangdong and his wife Baoyan have devoted their lives to their only son, Zhaohang. When he leaves China to pursue a music career at the Estonian Academy of Music and Theatre, the couple must confront the emotional void his absence creates. Through phone calls, they try to guide Zhaohang from afar, but his journey is shaped by both his deep desire to please his beloved father and his own personal ambition.

Edouard and Suzanne Mouradian often babysit their grandchildren. Grandad plays violent computer games and we see him entrust his frustrations – that often end in violent fantasies and thoughts of genocide – to the PC in writing.

In the isolated parking lot of a small provincial town, a carnival is setting up. It's a refuge for Cécilia and Ludo, who wait for it all year long. Between the shooting gallery and the coconut shy, they can finally escape. But when Ludo gets the opportunity to fulfill his dream of becoming a carnival worker, the prospect of his departure puts their relationship to the test. Torn between love and his desire to move away, Ludo faces a difficult choice. Les amours parapluies is a captivating tale of an unexpected romance, a simple yet profound reflection on relationships and the possibility of living your dreams.

For forty years, a filmmaker has obsessively collected magazine covers, articles, and photographs of Isabelle Adjani, carefully cutting and pasting them into large notebooks — now reaching volume 42. Les Cahiers d’Adjani transforms this lifelong fan devotion into a cinematic exploration of memory, obsession, and the passage of time. As the director finally dares to turn his camera toward his own secret archive, the film unfolds as both an intimate self-portrait and a reflection on fame, desire, and the fragile bond between artist and admirer. Through these meticulously crafted “cahiers,” it becomes a story of objects, collectors, family, and the strange ways in which a life can be shared with a star through images.

An animated documentary immersing viewers in the shadowy and hypnotic world of the shell game, a notorious street scam where players must find a ball hidden under one of three cups. At its core is Doru, a 60-year-old Romanian player whose life is as elusive as the game itself: a labyrinth of illusions and manipulations. As Doru reveals the secrets of the game and recounts his nomadic life story across Europe to the director Antoine, the line between reality and illusion begins to blur, until the world itself feels like one grand shell game.

An intimate and political journey through Donna Gottschalk's personal archives—photographs, contact sheets, audio cassettes, letters, diaries. Based on interviews conducted by Hélène and previously unpublished documents, the film traces the lives of Donna and some of her loved ones. The voices of Donna, her sister Myla, and friends like Jill intertwine, composing a choral and fragmentary narrative, where the intimate meets collective history. The film recreates an era—that of a generation of queer women who were committed, precarious, and often invisible.