La Sept

France, World War II. In order to somehow make ends meet, the mother of two children, Marie Latour, does underground abortions and rents a room to a familiar prostitute. She doesn't pay any attention to her husband, who returned from the war because of his injury, and lives her own life. Abortions gradually begin to bring a good income, and boredom can be easily dispelled by starting up with a young lover.

Jeanne has succeeded in lifting the siege of Orléans and Charles has been crowned King of France. However, she is injured in an attempt to take Paris, weakening her position at court. Captured by the enemy and put on trial, she finds both her life and the sanctity of her body at stake.

Convinced only she can lead France to victory against the invading English, Jeanne leaves her childhood home to plead with Charles, heir to the French throne, to allow her to guide his troops on the battlefield.

A two-part documentary made for French TV about Georges Perec, directed by his former partner Catherine Binet. It features a mixture of archival footage, scenes from Perec’s films and to-camera readings of excerpts from his work by various actors and friends of the author (Michael Lonsdale, Marina Vlady, Alain Cuny, Sami Frey, Edith Scob, Harry Mathews and others).

The Inquisition is in full swing in 16th century Flanders. Wanted for his dissident writings, the alchemist doctor Zeno has been wandering Europe under an assumed name for twenty years. But he remains a non-conformist. He returns to his native Bruges, where he thinks he has been forgotten. In this silent labyrinth where the faces of the past resurface, he rediscovers his identity and thus signs his death warrant.

Joey Wellman, an American cartoonist from Cleveland now largely forgotten at home, visits France with his partner Lena to attend an exhibition in Paris about the comic strip (bande dessinée) which features his work. He also hopes to be reconciled with his daughter Elsie who has been a student in Paris for two years, in flight from the American culture of which she sees her father as a typical example. Elsie is naively infatuated with French literature, and is trying to secure an introduction to the brilliant university professor Christian Gauthier, an expert on Flaubert but also an enthusiast for comic books. The meeting of father and daughter goes badly, but Elsie is persuaded to join Joey and Lena for the weekend at the country house of Gauthier's mother, Isabelle. During a comic-themed masquerade party, all of the characters are made to reconsider their present and past relationships.

Dah and Jocelyn come from former French colonies to coach their rooster, "S'en fout la mort", for an illicit cock-fight in the basement of a restaurant.

Sylvain Berg, a "professional" unemployed who spends his time hiking and mountain climbing, and "model" bank employee Benoît Constant, who has just been fired and does not want his wife to find out, both find themselves in Françoise Duru's office at an employment agency. Françoise is secretly in love with Sylvain, so in order to keep him close she convinces her employer to give Sylvain a job he doesn't want, instead of Benoit who not only wants it but also has the right qualifications.

Documentary that tells the story of some Venezuelan guerrilleros who, following the so-called Pacification of the 1970s, held official positions in various Venezuelan state entities. Venezuelan political figures share their perspectives on this recent event in Venezuelan history.

Two disc jockeys have a friend's murder to solve in the fringe-group melting pot of 1977 London.

Part 5 of Godard's 8 part examination of the history of the concept of cinema and how it relates to the 20th century.

Documentary about African political leader Patrice Lumumba, who was Prime Minister of Zaire (now Democratic Republic of Congo) when he was assassinated in 1961.

A fanciful biopic of legendary conductor Arturo Toscanini as a very young man.

Part 7 of Godard's 8 part examination of the history of the concept of cinema and how it relates to the 20th century.

This fairy-tale-like drama, based on a 1904 short story by American poet and feminist author Renée Vivien, tells two opposing versions of the same narrative: one told verbally by Pierre Lenoir, a male narrator at a Victorian dinner party; the other told visually through the behavior of an unnamed woman who meets him on a fantasy cargo boat. The intercutting of the two stories creates a tension between the different world views of the woman and the man.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

Mércedès, an actress from Paris attempts to break off a difficult relationship with the jealous and possessive stalker Johnny. She meets newspaper writer Pierre and goes with him for an afternoon fling. Before the sweat even dries, she finds herself hopelessly in love with him. But soon after their affair begins, he is called off on a business trip leaving the suddenly distraught Mércedès alone. Though preparing for a new play, she is unable to concentrate and barely able to function. Mércedès quits the production, locks herself in Pierre's apartment and quietly begins falling apart, collapsing into a bleak, reclusive madness until his return.

Vincent, a young Swiss, is upset by his meeting with the city of Lisbon. He will meet two persons: a prostitute of high flight and a great writer fallen and suicidal.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

Film based on the lyrical tragedy of the same name by Jean Cocteau and Francis Poulenc, directed by Alain Françon at the Théâtre du Châtelet.