Balada Bala Sinema is a story about the journey of FFP (Purbalingga Film Festival) crews in their hardship of managing the festival for more than 10 years. In 2016, Yuda Kurniawan decided to record the journey of FFP crews in producing Layar Tanjleb. The shooting process of Layar Tanjleb that takes more than a month to complete is going to present us a delightful story.

This country is home to educational institutions with a long and storied history. For centuries, they have weathered countless events and embraced change after change. These institutions are rooted in religious tradition, yet closely tied to local culture with its diverse customs and heritage. They have always engaged in dialogue with their surroundings and have become part of global civilization. One such institution is the *Pondok Pesantren*, the popular name for this type of school. Guided by the principle, “Preserve good traditions and adopt better innovations,” pesantrens continue to live, grow, and serve their communities. It is no surprise that along their journey, pesantrens remain strong in tradition while constantly innovating. Nor is it surprising that they have become woven into many aspects of life—spanning religion, the arts, social affairs, and even nation-building.

Fajar Merah (21 years old) is the son of Wiji Thukul – a poets and human rights activist who was ‘made to disappeared’ in 1998 by The Soeharto Regime. Together with ‘Merah Bercerita’, a band established at 2010, and supported by his family, he tries to bring back his father’s poems to life, covers them with music notations and creates a music album. In a dynamic background of 2014 Presidential Election, 16 years after the 1998 tragedy, Fajar and family develops a new hope on one candidate; Joko Widodo, to solve some Human Rights Violation cases, to find Wiji Thukul and other victims.