EICTV Cuba

The film opens with Audry Gutiérrez Alea, Titón's daughter, using a banana as a dildo. The short is part of a double experiment of which only half was filmed. Marzel wrote two scripts: an original and its parody, but only wanted to make the latter. Therefore, we are witnessing a reference without a reference, which involves the most absurd series of dialogues and monologues of which the national cinema has memory.

During a documentary residency in the Sierra Maestra, Cuba, a filmmaker befriends Sara, a seven-year-old girl who moves between San Pablo de Yao and La Nave. Together, they play and explore a world where Sara is simply a child; within this everyday intimacy, traces of the island’s crisis quietly emerge. The filmmaker transforms this bond into a letter to Sara—a return to those shared days, and a way to think of her from afar after they part.

A young Cuban couple gets lost, and searching for a place to stay the night, enters the home of M. Wong and Madame Tsu, who have sinister plans for them.

A woman's journey on an imaginary motorcycle and her encounter with a necklace collector.