Capricci Films

A family portrait in which the director profiles his grandmother, Odette Robert. Eustache includes in the film the conditions of its production — he is seated at the table with her, pours her some whiskey, speaks with the camera operator, manipulates the clapboard at the head and tail of the reels, and even takes a phone call. Robert, who was seventy-one, speaks rapidly and tells the story of her life, starting from her early childhood in villages in the Bordeaux region of France. A shorter version of the film ("Odette Robert") was edited in 1980 to be broadcast on television on TF1. The complete film only gained exposure in 2002, when it was salvaged by Boris Eustache, Thierry Lounas, João Bénard da Costa, Jean-Marie Straub, and Pedro Costa.

One night, three young men shoot the owners of a hunting lodge. The man who hired them claims he only asked them to do one thing: scare the people who were resisting him. How do you come to kill when you're barely twenty and there's no war going on?

Vincent finds himself under attack for no apparent reason overnight. When the phenomenon intensifies, he must run and change his way of life completely.

The discovery of Aurore's body with a supernatural finger...

On the road to vacation, Jimmy and Guillaume put their relationship back into play. Jimmy becomes a lost hitchhiker, Guillaume a lonely driver. They will play not to know each other anymore, play to meet and seduce each other again. Until a third player joins the game.

Lola and Luis are married until Manuel shows up and grabs Lola (and Trini, a florist friend and also a singer). This story of torn love will seem like the lyrics of a copla, the Spanish music genre to which both are dedicated, songs that border on love until death and that classically represent the absolute surrender of women to love. This love for Manuel divides the marriage and the friends.

A documentary investigation of the world of French agriculture today through various testimonials. A world that manages to resist the upheavals that it faces – economic, scientific, social – and which continues, for better or for worse, to maintain the link between generations.

After fifty years together, Anne and Léon have decided to put an end to their lives and go out in style. Decked out in their finest clothes, the couple wait for their end, hand in hand… but their plans are ruined when a harmless pillow talk turns into a heated argument. Clearly, they have some unfinished business to deal with before calling it a day.

Marianne, a heroine for a day, is interviewed by a young journalist. Despite of all the misunderstandings, a meeting takes place, brief, tenuous, human.

This summer, Ksenia, along with her mother and sister, is forced to pick blueberries in a Kyiv forest to earn a living for the family. But she is distracted by waiting for her lover Misha. Flirting, they go deeper and deeper into the forest, unaware of the danger.

A single mother breeds locusts as high-protein foods but has trouble getting them to reproduce until she finds they have a taste for blood.

Julie just started university in Bordeaux. She moves into the house of Elizabeth, an old widow who lends her a room in exchange for her help with daily chores. There’s one condition: acting as if Victor, Elizabeth’s dead husband, was still alive. But soon, Julie starts feeling his presence… and an inescapable and dangerous love triangle begins.

After several years on the frontline, Sasha, a female sniper in the Ukrainian army, returns to her home village, determined to forget the war and return to a peaceful life. But she finds out that her father, a forester, disappeared because of his resistance to illegal loggers who are destroying the century-old Carpathian forest. Alone against all odds, she decides to bring justice.

A disturbing cloud has appeared from the west. It moves slowly towards the centre of the country, prompting the population to take to the roads. As it advances relentlessly, panic increases. It is a cloud of acid.

August 1715. After going for a walk, Louis XIV feels a pain in his leg. The next days, the king keeps fulfilling his duties and obligations, but his sleep is troubled and he has a serious fever. He barely eats and weakens increasingly. This is the start of the slow agony of the greatest king of France, surrounded by his relatives and doctors.

The former shepherd, Jean Lassalle, decides to run in the presidential election. Neither one nor two, Pierre Carles and Philippe Lespinasse, two filmmakers labeled left, but a bit politically lost, decide to take action: They proclaim themselves his campaign advisers, with the secret ambition to reveal his true nature, that of an anti capitalist revolutionary, lost among the centrists for 30 years.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.