Ciné Valse

Camille, a naïve schoolgirl, meets an intriguing influence in Joelle, a slightly older and much more experienced spirit. Camille follows her new friend through the discovery of sex and the darker side of life. As the film progresses, Camille discovers AIDS and the fear that she may have picked up the disease in her early encounters.

A bisexual petty criminal named Bob encounters a married couple arguing in a bar. Bob breaks up the fight and proceeds to seduce first the wife and then the husband. Then Bob teaches the couple how to be burglars and they join him in his criminal exploits.

A provocative, seemingly absurd patchwork movie which sends a worthwhile message about hope against all odds, love, children and human understanding. Schoolgirl Victorine has an insane mother and an alcoholic father who can never find his way home in their maze of slum apartment blocks. Aggressive, sexually threatening boys of all ages are everywhere, and while the teacher eventually relents to a gang of adolescent rapists, Victorine gives herself to a rowdy gang of older layabouts, eventually winning the heart of burglar Paul.

Laetita Masson directs this hallucinatory dream-like work about dancing on the beach, Elvis impersonators, and sailors longing to live and work in Taipei. Sandrine Kiberlain, Johnny Hallyday, and Julian Sands are just a few of the many cast members.

A car dealer, well-to-do and with a beautiful wife, finds himself attracted to his rather plain new temporary secretary. Despite her own commitments she feels the same and the two soon embark on an affair. Though it would seem it has happened before his wife finds this particular entanglement of her husband's very difficult to accept.

A group of Parisians frets over the minutiae of life in the course of one week.

One fine day, at about 10 am, in a suburban house, three men, in their thirties are waiting for a fourth buddy. When he arrives, they plan to hold up the local bank where Séverine, their accomplice, is waiting for them. This could well be the beginning of a thrilling crime story, but these tough men, sporting tattoos, are not what they appear. "On fait comme on dit" is a comedy, and these guys could be descendants of the Keystone Cops. They are dreamers not gangsters. So much is riding on this bank heist, the pressure is intense. This tension creates the most diverse and unexpected obstacles for them...

Novelist and filmmaker Jose Giovanni turned to the remarkable true story of how his father helped him escape a date with the guillotine for this drama, which is based closely on events from his own life. During World War II, Manu (Vincent Lecoeur, as a character Giovanni modeled after himself) fought with the French Resistance, but near the end of the war he fell into a life of crime, and in 1947, 22-year-old Manu was arrested for his part in a bungled robbery that left a man dead. While Manu did not pull the fatal trigger, he refuses to say who did, since it would mean implicating his uncle, one of the few members of his family who has stood by him; Manu's brother is dead, and he turned his back on his father Joe (Bruno Cremer) years ago. Manu is sentenced to death, and while he protests his innocence, his attempts to escape from prison do little to convince anyone that he's telling the truth.

Justine and Richard's 15-year relationship ends in separation due to irreconcilable differences with Justine maintaining custody of their three boys. Her new life means having to deal with being a single parent but at the same time, she comes to terms with her own parents' divorce and finds a common bond with her long-suffering mother. Richard, a renowned author, deals with the situation by devoting all his attention to his writing. Both are forced to confront their uncertain futures, while examining what led to the breakdown of their marriage.

Two sisters have to deal with the traditional issues of growing up and the unusual problem of caring for an unstable father in the drama Qui Plume La Lune?

Myriam, a survivor of the concentration camp at Auschwitz, is a filmmaker and journalist who has spent many years living abroad. She takes part in a memorial event at the town hall in Paris commemorating the liberation of the camp, where she wins a flight to Cracow. At first she refuses to accept the prize, then decides to go.

The central role of Louise is portrayed by Elodie Bouchez, who won a 1998 Cannes "Best Actress" award for The Dreamlife of Angels. When Louise has an encounter with homeless Remi (Roschdy Zem), they have a magnetic attraction, but she is already attached to illiterate shoplifter and pickpocket punk Yaya (Gerald Thomassin). Although allied with Yaya in petty crimes, Louise lives with her widowed father (Lou Castel), a devoted writer of fiction. After a Metro bum (Bruce Myers) tells her of his desire to see his young son, she plucks the kid, Gaby (Antoine de Merle), right out of school, making him the newest rookie recruited into their subway gang. Shoplifting in a department store, the young toughs escape the store's security guards by hiding in the ballet rehearsal rooms of the nearby opera. But does Louise really belong with the subway toughs, or is she just pretending? When she's arrested, Louise is forced to reexamine her lifestyle.

Jean-Pierre (Jacques Villeret), un attaché humanitaire qui travaille au ministère des Affaires Etrangères, accepte de reconduire un jeune clandestin (Lorant Deutsch) dans son pays d'origine. Celui-ci appartient à la tribu des Hommes Gris d'Irghiz, réfugiés depuis la préhistoire dans une cité interdite du Haut Atlas.

A porn film director convinces his producer to make a romantic film, but the cast is grappling with tensions in their private lives.

A satirical examination of the transformation of a French investment bank into a Hollywood power broker, Le Sens des Affaires begins with a lowly bank clerk's embezzlement of $104 million francs (about $14 million dollars) to finance his screen adaptation of Chekhov's Three Sisters. The clerk, Gerard Dutillard, funnels bank funds into three fictional affiliates in a way that makes the bank's president, Jean-Francois de Roquemorel, legally responsible. Financial ruin seems a distinct possibility, but Dutillard has worked out a plan to make the system work in his favor, and soon enough his banking superiors are doing their best to salvage his film and make it marketable, prompting actual investors to fuel the production with cash.