Centar film

One week in life of Branimir Mitrovic "Floyd", a young rally driver from the National class (up to 785cc), dreaming of promotion to the higher category. He lives a carefree life of a Belgrade dandy boy, neglecting his girlfriend, avoiding his draft calls, and refusing to deal with any life responsibility in general. The decisive race on Saturday is only what he cares about.

The first Yugoslav Partisan air force unit. Loosely based on historical facts.

In a post-WWII Yugoslavia still under Stalinist rule in the 1950s, six-year-old Malik is oblivious as to why his father, Mehmed, has suddenly disappeared. In truth, Mehmed has been sent to a labor camp as punishment for acts of sexual indiscretion involving young girls. Malik's mother, Senija, however, has no answers, and the family must cope in the father's absence.

The story of three boys who, fascinated with seventh art magic, decide to escape from their remote village straight to Hollywood. In the same time, a local policeman frantically organizes a reception for the president of the state. His "strictly controlled" citizens, under the influence of events in Cuba, in 1962. start dividing in two parties, resolved to succeed where Khruschev and J.F.K. have failed.

A frustrated and unemployed architect experiences flashbacks of his youth and 1968 protests while the life passes by. Unable to adapt and to accept the reality, he’s constantly getting into conflicts with the people around him.

Educator and those educated in a home for juvenile delinquents in the same test: approach, take a peek into his soul to become a man. The story of a minor, neglected boys-offenders and their teachers who try to reject the old methods of rehabilitation.

In 1389, the Serbian prince Lazar Hrebeljanović refused to submit to the Turkish Sultan Murat, who was invading Serbia with a large army, in order to continue conquering Europe through it.

When it comes to crime, Belgrade is same as any other modern metropolis, except for having its own serial killers. That blank is filled when a flower salesman begins strangling women. A popular, but very disturbed rock star soon becomes telepathically connected with the killer.

An American woman comes to Belgrade to visit an old friend. There, on the exotic boundary between West and East, she becomes entangled in a love triangle.

In the mountains of Montenegro people have lived by strict and Draconian laws for centuries, almost untouched by modern civilization. However, a young couple are going to seek their fortune on the more liberal coast and there they find jobs in the nudist colony. Hundreds of naked bodies and atmosphere of joie d'vivre make the husband and wife question their rigid way of life.

For the young man who lives in Serbian province town, the maturing coincides with the turbulent political events of the year 1968.

On Saturday, 5 April 1941, one day before the Invasion of Yugoslavia of the Kingdom of Yugoslavia, a colourful group of random passengers on a country road deep in the heart of Serbia board a dilapidated bus, headed for the capital Belgrade. The group includes two gypsy musicians, a World War I veteran, a Germanophile, a budding singer, a sickly looking man, and a hunter with a shotgun. The bus is owned by Krstic senior, and driven by his impressionable and dim-witted son Misko.

As Yugoslavia begins to unravel, the workers of industrial complex at Rakovica struggle to survive inside a system that once promised dignity and solidarity. Told from their perspective, Žulj (Blister) captures the anger, exhaustion, and disillusionment of a generation abandoned by political elites far removed from working-class life.

In 1985, four middle-aged Yugoslav emigres return to Belgrade for the funeral of Mariana, their beautiful compatriot. They called her Esther, for Esther Williams, she was the coxswain for their four-man rowing team, and they each loved her. They'd last seen her in 1953, when they rowed her across the Adriatic, pregnant, to join her exiled father in Italy. In flashbacks we learn the story of their youthful baptism into sex, smoking, rock and roll (Hey Ba-ba-re-bop), Hollywood and Swedish films, blue jeans on the black market, and their rivalry with Ristic, the Communist Party youth leader for whom they had instant antipathy.

The Topalović family has been in the burial business for generations. When the 150-year-old Pantelija dies, five generations of his heirs start to fight for the inheritance.

Tom is a young guy from Zagreb, completely without money, trying to make films in Belgrade. He somehow manages to survive with a help of women. He doesn't believe in anybody, respects no one and is in constant conflict with the ruling system and order. After being left by a silly American girl, Tom binds with a woman whose husband is abroad. When she kicks him out, he moves in with her husband's sister, who later kills him in the attack of jealousy. All this is shown in the context of major historical events prior to 1968. with lots of archive footage of world leaders.

Two partisans, a man and a woman, try to escape a Nazi manhunt in the infernal landscape of WW2 Vojvodina.

Documentary film "Life as a Collection of Circles" is about Sreten Stefanovic; falconer, champion, Olympic player, true amateur, pedagogue, 20th century witness and the oldest Apple computer user in Serbia.

Story about people who have neither luck in finding new instruments to play after war, nor new romance. Instruments experience war just like people do. Originally shot in 1971, the film was not released until 1994.

The Kosovo region of Yugoslavia near the Albanian border is the scene of political unrest and a modern Romeo and Juliet romance in this satirical political drama. A film director (Meto Jovanovski) gathers information for his documentary about the Serbs being forced to depart by Albanian Moslems. As the region heads towards ethnic warfare, the young Albanian woman Nadira (Sonja Jacevska) falls in love with the Serbian Miloljub (Cedo Arobabic). He is captured and castrated, and the private lives of Milobjub and Nadira become part of the director's story in his film. He must answer to the financiers and producers who believe his film was to be a comedy. The events foreshadow a long and bloody conflict between two factions, a battle that has not abated in the ten years since this film's initial release.