Kindai Eiga Kyokai

While her son, Kichi, is away at war, a woman and her daughter-in-law survive by killing samurai who stray into their swamp, then selling whatever valuables they find. Both are devastated when they learn that Kichi has died, but his wife soon begins an affair with a neighbor who survived the war, Hachi. The mother disapproves and, when she can't steal Hachi for herself, tries to scare her daughter-in-law with a mysterious mask from a dead samurai.

In the Sengoku period, a woman and her daughter are raped and murdered by soldiers during a time of civil war. Afterwards, a series of samurai returning from the war through that area are found mysteriously dead with their throats torn out. The governor calls in a wild and fierce young hero to quell what is evidently an Onryō ghost. He encounters the two beautiful women in an eerie, beautiful scene. After spiritual purification, he meets the demon in a thrilling fight.

A family of four are the sole inhabitants of a small island, where they struggle each day to irrigate their crops.

Natsuko's mother is hospitalized and only has six months to live. Her last wish is to see her father, who left her 20 years ago. Natsuko sets out to find him.

Shohei works as a doctor in a seaside hospital. One day, a new patient is admitted to the hospital with ovarian cancer. Shohei is surprised to recognize Michiko, his first love from high school. Shohei has been leading a dissolute bachelor life, paying for the company of high school girls and dating an older woman who works in a local bar, but in reality, for the last twenty years, he has not forgotten Michiko. Unfortunately though, Michiko doesn't remember him at all. Shohei becomes more and more persistent in his attempts to get her to recall their past. At first she is annoyed by his overtures, but gradually warms to the doctor. Under Shohei's kind and patient care, Michiko's condition improves and her cancer becomes operable. The operation is a success, but now Shohei himself learns that he has terminal cancer.

8-year old boy, Shimpei, who loves fishing and painting, lives with his beautiful mother, surrounded by nature. His mother, Satsuki, has a weak constitution and lost her husband years ago. She takes care of her son lovingly but sometimes strictly, on her own. Shimpei's childhood sweetheart, Sayuri, is deaf, but somehow they can understand each other and they always spend time together.

A story of Japanese writer Kafu Nagai (1879-1959), a man about sixty with a huge reputation of seducer who falls madly in love for a young geisha named Oyuki. Meticulous and smartly dressed, Nagai patiently wrote in his diary his thoughts during many years. A melancholy reflection on the passage of time and a brilliant interpretive exercise.

Shows the devastation caused by the atomic bomb, and by use of a fictional storyline, portrays the struggle of the ordinary Japanese people in dealing with the aftermath.

A well-respected drama teacher confesses to his housekeeper that the atomic bombing of Hiroshima has left him impotent. With the coming of spring, the sympathetic housekeeper suggests that the Master observe the Yobai , a custom in which the young men of a village steal into the bedrooms of susceptible women to have sex.

aka Libido.

An ageing fishing boat, Dai-go Fukuryu Maru ("Lucky Dragon No. 5") sets out from the port of Yaizu in Shizuoka Prefecture. It travels around the Pacific line fishing. While the ship is near Bikini Atoll, the ship's navigator sees a flash. All the crew come up to watch. They realize it is an atomic explosion, but take time to clear their fishing gear. A short time later, grey ash starts to fall on the ship. When the ship returns to port the sailors have been burned brown. They unload the fish, which are then transported away. They visit the local doctor and then go to Tokyo for an examination. It turns out they are all highly radioactive. Their symptoms become worse, and the contaminated fish causes a panic.

Nobuko Otowa plays a former Seto Inland Sea island farmer who has moved to the mainland in order to find work, but instead ends up dead. The film begins with the discovery of her corpse, which leads to an investigation that uncovers the narcotics, prostitution, and murder in which many poor farmers had found themselves trapped after World War II.

It is based on the story of The Ballad of Narayama updated to the present day, with the substitution of putting a parent into an old people's home for the abandonment of the original. The film won the Golden St. George and the FIPRESCI Prize at the 21st Moscow International Film Festival.

Based on Kakuko Mori's autobiography, about her life and retirement from acting due to her increasing blindness.

In 39 interviews with actors and actresses, writers, producers and staff members, interspersed with film excerpts and stills, Shindō recounts the life and career of his friend and mentor Mizoguchi.

After over 50 years of wandering up and down Japan, finally in the 1970s, the rough-hewn blind shamisen player and folk-song collector named Takahashi Chikuzan became a musical sensation. This biographical drama chronicles his wanderings and his life, with a particular focus on his humble beginnings as a peasant on a remote and arid island.

Ginko, a poor cobbler's daughter, becomes a geisha to support her family. She passes from one geisha house to the next, trying to find love and hope in the process. No matter how hard she tries, she just can't escape her sad fate.

A retired actress whose husband has recently died visits her summer home. There she has encounters with old friends and acquaintances who bring various stories and news of death and the past

About an establishment where old men pay to sleep besides young girls that had been narcotized and happen to be naked, the sleeping beauties. The old men are expected to take sleeping pills and share the bed for a whole night with a girl without attempting anything of bad taste like putting a finger inside their mouths.

The film is a series of vignettes from Taiji Tonoyama's life and film clips, interspersed with a dialogue to camera by Nobuko Otowa, addressing the camera as if she is addressing Tonoyama himself, recollecting events in his life. The film focuses on Tonoyama's alcohol dependence and his various sexual relationships, as well as his film work with Shindo.