Kindai Eiga Kyokai

While her son, Kichi, is away at war, a woman and her daughter-in-law survive by killing samurai who stray into their swamp, then selling whatever valuables they find. Both are devastated when they learn that Kichi has died, but his wife soon begins an affair with a neighbor who survived the war, Hachi. The mother disapproves and, when she can't steal Hachi for herself, tries to scare her daughter-in-law with a mysterious mask from a dead samurai.

A family of four are the sole inhabitants of a small island, where they struggle each day to irrigate their crops.

In the Sengoku period, a woman and her daughter are raped and murdered by soldiers during a time of civil war. Afterwards, a series of samurai returning from the war through that area are found mysteriously dead with their throats torn out. The governor calls in a wild and fierce young hero to quell what is evidently an Onryō ghost. He encounters the two beautiful women in an eerie, beautiful scene. After spiritual purification, he meets the demon in a thrilling fight.

A mother and daughter are stranded in small, isolated cabin, and are starving to death. In order to survive, they plan to entice men that happen to stray to their cabin with sex, and kill them. All goes well until a local cop shows up and, then, an old relation.

Shows the devastation caused by the atomic bomb, and by use of a fictional storyline, portrays the struggle of the ordinary Japanese people in dealing with the aftermath.

A story of Japanese writer Kafu Nagai (1879-1959), a man about sixty with a huge reputation of seducer who falls madly in love for a young geisha named Oyuki. Meticulous and smartly dressed, Nagai patiently wrote in his diary his thoughts during many years. A melancholy reflection on the passage of time and a brilliant interpretive exercise.

A retired actress whose husband has recently died visits her summer home. There she has encounters with old friends and acquaintances who bring various stories and news of death and the past

Reform schools are a way of protecting society by ridding it of lawless juvenile delinquents. But who's protecting the juvenile delinquents from corrupt reform schools? Rica could be considered a bit of an expert on reform schools, having spent most of her early life in and out of them. When Rica is dragged back once again, she gets a severe beating and is finally sent off to a mental hospital with the intention of selling her and her pals into a slave trade. A trader takes Rica's friend Jun to a mountain cottage where she's pegged for the lead in his clandestine porno film operation. Once again, it's up to tough-as-nails Rica to bust up this corrupt racket once and for all!

A gas leak explosion at a yakuza hideout provides a shy nurse and a rental car clerk with the opportunity to take a briefcase full of money. A cross-country chase ensues.

The men who surround and torment the young protagonist (demanding teacher, owner of the company that rapes his own daughter, despotic and uncompromising father) are opposed to women (victims of men) as embodiment of salvation.

It is based on the story of The Ballad of Narayama updated to the present day, with the substitution of putting a parent into an old people's home for the abandonment of the original. The film won the Golden St. George and the FIPRESCI Prize at the 21st Moscow International Film Festival.

The film is a series of vignettes from Taiji Tonoyama's life and film clips, interspersed with a dialogue to camera by Nobuko Otowa, addressing the camera as if she is addressing Tonoyama himself, recollecting events in his life. The film focuses on Tonoyama's alcohol dependence and his various sexual relationships, as well as his film work with Shindo.

A well-respected drama teacher confesses to his housekeeper that the atomic bombing of Hiroshima has left him impotent. With the coming of spring, the sympathetic housekeeper suggests that the Master observe the Yobai , a custom in which the young men of a village steal into the bedrooms of susceptible women to have sex.

A group of five rookie insurance salespersons, driven to desperation by the impossibility of their work in Japan's failing postwar economy, form a plan to rob a cash delivery truck in order to provide for their families.

Rica wanting a fresh start leaves her friends and past life behind or at least that is what she thinks as trouble always seems to find her. Rica's looks into a ship that exploded and everyone who survived this disaster who comes in contact with her dies. Rica only chance of solving the mystery of the sunken ship is if she can locate a old friend of hers who just happened to be on that ship the night it blew up.

Michio Yamada, a recent school graduate, is sent to Tokyo to work as a fruit-packer in a department store as part of a government programme. He takes a gun from a house on an American base and uses it to kill several people. The scene changes to Yamada's childhood. Yamada is born the child of a reprobate and a weak-willed woman. As a boy Yamada, experiences poverty and the rape of his sister at first hand.

The 95-year-old director shot the film in his hometown of Ishiuchi, Hiroshima. The story is based on a teacher he had when he was a child.

Ginko, a poor cobbler's daughter, becomes a geisha to support her family. She passes from one geisha house to the next, trying to find love and hope in the process. No matter how hard she tries, she just can't escape her sad fate.

First film of a trilogy following the dramatic life of Rika, a half-Japanese/half-American woman who becomes the tough-as-nails leader of an all-girl crime gang.

8-year old boy, Shimpei, who loves fishing and painting, lives with his beautiful mother, surrounded by nature. His mother, Satsuki, has a weak constitution and lost her husband years ago. She takes care of her son lovingly but sometimes strictly, on her own. Shimpei's childhood sweetheart, Sayuri, is deaf, but somehow they can understand each other and they always spend time together.