The Israel Film Council

A Hungarian youth comes of age at Buchenwald during World War II. György Köves is 14, the son of a merchant who's sent to a forced labor camp. After his father's departure, György gets a job at a brickyard; his bus is stopped and its Jewish occupants sent to camps. There, György find camaraderie, suffering, cruelty, illness, and death. He hears advice on preserving one's dignity and self-esteem. He discovers hatred. If he does survive and returns to Budapest, what will he find? What is natural; what is it to be a Jew? Sepia, black and white, and color alternate to shade the mood.

When, in the late 1990s, Israeli student Teddy Katz exposed the massacre of Palestinian civilians by Israeli forces in the village of Tantura, in May 1948, during the first Arab-Israeli war, he was initially praised for his pioneering work; but he was soon infamous and branded a traitor. Decades later, incendiary new evidence emerges that corroborates Teddy's findings.

Danny gets dumped by Noa, who finds it difficult to bear his sensibilities. Devastated about her ignoring his calls, he inadvertently discovers that he is not a human being, but in fact, an engineered robot. As he gains confidence to confront her, he finds out that Noa has been kidnapped - and that they're both entangled in a high-tech conspiracy hoping to utilize robot-humans for violence.

Sassi is more than 20 years older than his wife Effi and is worried about his declining powers. Surgery has left him seeking treatment for impotence, but Effi insists she’s content with their emotional closeness. In her work as a physical therapist, though, Effi sees the link between body and heart every day. The biggest challenge to their loving relationship has been the gambling debts Sassi’s adult son keeps running up. But the couple’s fragile understanding, compounded by the presence of two young men, introduces new threats. Their teenage grandson, Omri, returns from living with his father in Europe, at loose ends and clearly in need of guidance. For one thing, he can barely stand to wear a shirt. Then a young patient turns up at the swimming pool where Effi conducts therapy sessions. He comes to confront her about something from their past, something complicated, contested, and painful to them both.

Assi, a failing actor, returns from army reserve duty to his hometown in Southern Israel. While he dreams of becoming a successful theater actor in Tel Aviv, he teaches high-school drama acting classes by day, and acts in a small cabaret show in the local community center by night. An unexpected event makes him famous - as the public enemy number one. His new reality would force him to decide if he should lay low and conform, or use his theatrical skills to speak up about the corruption of society - as he juggles through the grand circus that is his life.

In a Jaffa bra shop's fitting room, women's love-hate affair with their bosom buddies unfolds. As each heroine struggles to find the perfect bra, she bares not just her chest, but her soul, sharing tales of triumph, tribulation, and the occasional wardrobe malfunction. For breasts aren't just fleshy accessories-they're the protagonists of our life's epic. From the awkward moment they first break out, to the sobering reality checks of mammograms, our relationship with our "girls" is a bouncy roller-coaster of ups and downs because life, much like a poorly fitted bra, is full of surprises. This film unravels the mystery, myth, and full support between women and their breasts. It's a story that's written on our bodies, in every curve, contour, and stretch mark.

A gay love story set in a one-bedroom apartment in Tel Aviv. They meet, they have sex, they fall in love. Will it last until the morning comes?

In the small and historic suburb of Mazkeret Batya, two sarcastic, rebellious teenagers dream of escaping their boring reality with their rock band. But when their disloyal bandmate unexpectedly quits, the two embark on a surprising journey that challenges their intense friendship.

Shot in the Occupied Territories by Israeli director Avi Mograbi, this controversial documentary film draws parallels between the Israeli - Palestinian situation today and the enduring myths of Samson and Masada. Mograbi offers a powerful, at times chilling, lament of the continuing cycles of violence rooted in the past and threatening to engulf everyone's future. With the roots of so much real-world conflict left unexamined by today's restless media, this film reminds us just how vital filmmakers like Avi Mograbi are. Documentary today is rarely immersed in questions of this magnitude - or tackles them with the level of eloquence shown here by Mograbi. An exceptional and challenging film.

Gil Avni found himself in a Kafkaesque situation. He lies dying in the ICU, anesthetized and ventilated, diagnosed with cerebral edema. From the medical team fighting for his life and his closest relatives coming to say their goodbyes, Gil learns about his final hours. These 44 hours are told through his testimony and of those who were around him.

In Israel's Negev desert, Farhan Al-Nabari (72) - a fearless arbitrator, fights to prevent the next killing between feuding Bedouin families. His tent, a "place of refuge," anchors tradition amid rising youth violence challenging state and tribal authority. As societal desperation and poverty intensify, Farhan faces a profound struggle: the State of Israel demands the uprooting of his tribe from its home of 71 years. Amid frantic reconciliation efforts between tribes, this poignant tale unfolds-a clash between ancient traditions and modern mandates. Farhan fights to preserve his community's legacy, navigating a delicate balance between the timeless laws of the desert and the new world.

A tough security agent is tasked with guarding a circumcision ceremony attended by the Prime Minister. A clown armed with a live rabbit threatens to infiltrate the security rings and disrupt the impeccable order in which the State of Israel operates.

The story of Yamin Masika, the “Don Quixote" of Israeli cinema — a director, social activist, and cultural entrepreneur who played a pivotal role in transforming Mizrahi culture from the margins to the mainstream. In the 1990s, after repeated rejections by the Israeli film industry, Masika began creating underground, low-budget films and music videos featuring Mizrahi artists like Avi Bitter, Tamir Gal, Moshe Cohen, Sarit Hadad, and Zehava Ben. Though ridiculed and dismissed by the establishment, these films resonated deeply with audiences who had been excluded from mainstream media for decades, leading to a cultural revolution.

When Irmy, a soon-to-be-dad comedian goes to his own father asking for money, he finds out that his only inheritance is a tiny piece of land in the occupied Palestinian territories. To make things worse, he also finds out that extreme-right-winged Jewish settlers have settled in his land and made a winery out of it. Together with his father, Irmy wages war on the settlers, army, and Israeli government and demands his land back! What begins as a personal quest to recover this contested piece of real estate quickly evolves into a humorous activist adventure that exposes the mechanisms of the occupation.

A chance encounter between Anna Yam, a photographer, to Eileen Nir, a homeless woman nicknamed 'Peraẖ', enlightens a mutual curiosity, and leads them both to go on an unconventional journey in the dark backyard of Tel Aviv.

A woman gets a death certificate.