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During WWII, a teenage boy discovering himself becomes love-stricken by Malèna, a sensual woman living in a small, narrow-minded Italian town.

When Isabelle and Theo invite Matthew to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and everything is possible.

On the Spanish island of Ibiza, porn filmmaker Sandro and Angelino, the manager of a beachside watering hole, find their very different lives overlapping. Meanwhile, the island police chief, who is currently at odds with his rebellious son Jorge, is investigating the death of a drug dealer (which was accidentally brought on by Angelino). Jorge's plans to move to America have so far been thwarted by his father, but when he finds out about the affair his dad had been having with a male nightclub dancer, he uses it as blackmail fodder.

Peppino Impastato is a quick-witted lad growing up in 1970s Sicily. Despite hailing from a family with Mafia ties and living just one hundred steps from the house of local boss Tano Badalamenti, Peppino decides to expose the Mafia by using a pirate radio station to broadcast his political pronouncements in the form of ironic humour.

An elderly and retired police detective and a young amateur sleuth team up to find a serial killer whom has resumed a killing spree in Turin, Italy after a 17-year hiatus.

An Italian movie crew goes to London to make a documentary about a murder case that took place a few years before.

A middle-class Italian family is tore apart when the father meets an old flame, the mother—a frustrated onetime actress—auditions for a play, their insecure son tries to make friends through drugs, and their underaged daughter—who has already figured out how to use sex to her advantage—does what she does best to appear on TV.

A reconstruction of the bankruptcy of the Banco Ambrosiano bank and its liaisons with the Vatican and the Masonry through its president Roberto Calvi, notoriously found dead under the Blackfriars Bridge in London in June 1982.

A psychoanalyst and his family go through profound emotional trauma when their son dies in a scuba diving accident.

A fairy tale-like love story between young circus artist Lola and the bear Misha, who one day transforms into a human being.

In relation to some of Pasolini's visits to Palermo for this last film, in 2000 Ciprì and Maresco shot Arruso, which begins with a phrase by Pasolini ("I banished the word hope from my vocabulary") and consists of imaginary interviews with some local characters who are presumed to have had homosexual relationships with the director. The two record the testimonies, sometimes affectionate others less, of those who had the opportunity to meet him and know the trends on the occasion of that trip.

Zurich, 1905. Nineteen-year-old Russian Sabina Spielrein is put by her parents in a psychiatric hospital, suffering from a severe form of hysteria and refusing to eat. A compassionate doctor, Carl Gustav Jung, takes her under his care and, for the first time, experiments with the psychoanalytical method of his teacher Sigmund Freud. Thus is born a sweeping story of love and passion, of body and soul, soaring to the utmost heights, but also plunging to the darkest depths of the 20th century.

War seen through the eyes of Serra, a university student from Palermo who volunteers in 1942 to fight in Africa. He is assigned to the Pavia Division on the southern line in Egypt. Rommel and the Axis forces are bogged down; it's October, the British prepare an offensive. At first, boredom, heat, hunger, and thirst bedevil the Italians; then the Brits attack, and there's no luck or heroism in death. Finally, it's retreat in confusion. Serra, his sergeant Rizzo, and his lieutenant Fiori take a last walk toward home. It's said that each soldier gets three miracles; when Serra's are used up, what then?

The true natures of love, commitment, and reality are called into question in this offbeat drama. One night in bed, Tomas, a magician, begins telling a story to his wife Desirè about Emma and Sal, a married couple whose love life has gone stale. In order to fire up their relationship, Emma and Sal begin playing an increasingly elaborate series of role-playing games, in which they assume different personas -- Sal saves Emma as she is tied to railroad tracks, or Emma must seduce another man to pull her husband out of debt. But the question soon arises -- are Emma and Sal real? And who really holds the power in their lives? Chimera also features Franco Nero as one of the participants in Emma and Sal's sexual fantasies.

Alex, Ivo and Pacifico three Sicilian twin brothers are reunited for their father's funeral.

A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.

Nearing death, videogame genius Leone Stella holds a contest to find an heir: several people named like him will compete in a live-streamed reenactment of his most famous exploits, and the winner will inherit his billion-dollar fortune.

Antonio is a fallen angel, a rootless chauffeur who relates only to the lonely heroes in the science fiction novels he grew up with. Only through a chance meeting with Maria, a woman struggling to hold onto her daughter and her business, does he discover a hope that's been in his detached existence.

In search of purpose, 17-year-old Claudio helps easygoing mechanic Stefano build a car capable of winning a street race that could solve his financial problems, but gets himself involved with the latter's former girlfriend.