Bolívar Films

Murphy is the sole survivor of his crew, that has been massacred by a German U-Boat in the closing days of World War II. He is rescued, and ends up at a forgotten mission station near the mouth of the Orinoco, and begins to plot his vengeance. He wishes to sink the U-Boat by means of any method imaginable to him, and sets about to make the courageous attempt, assisted by Louis, the administrator of the local oil company.

A young woman travels abroad trying to realize her dream of being a model, but there she is deceived and subjected to prostitution at the Cabaret Tango Bar, where she experiences the horrors as a victim of a sex trafficking network.

Venezuelan comedy directed by Víctor Urruchúa.

Wildlife photographer Terry and her brother Art go to Venezuela for a photo shoot. They hire Jim Pendrake to guide them through the jungle. However, the trio run afoul of evil local hunter Caribe.

Alberto and Jorge are two typical "chantas", who are dedicated to deceiving people along with another friend, nicknamed "Palomita". One day "Palomita" is awarded a prize consisting of dollars and two tickets to Caracas, but it turns out that this decomposes and dies. His last wish communicated to his friends Alberto and Jorge is that they take care of his sister. Upon meeting her, she turns out to be a very beautiful girl, with whom they both get involved. Then together with her they get into trouble with a group of criminals and must leave the country, taking a flight to Caracas, where they arrive posing as an Argentine vedette and her two representatives.

A striking political activist and refugee from Paraguay escapes to Paris and falls in love with a rich law student changing their lives forever. The beauty of their love is challenged by a fervent devotion to fighting for a cause. "Two Autumns in Paris" has won more than 130 awards and was the most awarded Venezuelan film of 2020. A historic examination of class, refugees, and political rebellion that subtly speaks in parallel to the world today. Its turbulent romance set with the background of the 'City of Love'.

The captain of a small vessel, regularly sailing between his home island of Margarita Island in the Caribbean and the Venezuelan mainland, has two separate and very different relationships. At home, he is happily married, having named his boat Isabel after his wife. Yet on his visits to the port of La Guaira, he has a passionate affair with Esperanza, a woman working in a seedy cabaret who tries to retain him with hexes and spells. A classic of Latin American cinema, which won Best Cinematography at 1951 Cannes Film Festival.

Directed by Pablo de la Barra, Queridos compañeros (1977) is a Chilean-Venezuelan political drama that delves into the fervent revolutionary movements of the late 1960s. The film follows a group of young radical leftists that struggle to change the Chilean political status quo. The production of Queridos compañeros faced significant challenges, since filming started in 1973 but was abruptly halted due to the military coup in Chile that year. Director Pablo de la Barra managed to save the film's footage but lost the original audio tracks. In exile in Venezuela, he reconstructed the sound with the help of the original actors, completing the film in 1977. The film offers a poignant reflection on the aspirations and struggles of a generation striving for systemic change, providing insight into the political dynamics of Chile during a tumultuous period.

Italian-Venezuelan co-production directed by Renzo Russo, with text by Aquiles Nazoa.

Life changes for an Andean family when oil wealth and a fugitive arrive in town.

Ana has always been told what to do, what to wear, and what to believe. Everything changes when she forms a strong bond with her new friend Camila, much to the dismay of Ana's demanding father.

Venezuelan film directed by José María Galofré.

Two Venezuelan climbers try to fulfil their dream of an expedition to Mt. Everest.

This documentary is comprised of three shorts: 'El Afinque de Marín' that follows the musicians of the group Madera. 'Yo hablo a Caracas' about an indigenous leader and his reply to the authorities of the venezuelan goverment regarding the violations towards his people and finally 'Mayami Nuestro' chronicles the relationship of venezuelans during the eighties with the city of Miami.

A shoeshine boy and his mother, a cabaret employee, fight against life's adversities. Venezuelan drama directed by Fernando Cortés.

Two key men in the iron industry face off.

Lindolfo Chaves is the president of a tobacco company based in Havana and also the president of the Liga Pro Restauración de la Moral y la Virtud, but in private he is an incorrigible libertine until, after conducting a medical check-up after an agitated A night of partying, his family doctor diagnoses him that he has a heart murmur so he advises him to take rest in a place where there is peace and tranquility, to which the businessman decides to go to his nephew's house, the lawyer Ruperto Chaves, who lives in Caracas

A bloodthirsty and cruel lord increases his fortune by overpowering timid and ignorant peasants. Riccardo and his partner Hilda work to ensure that justice is done.

Mayami Nuestro goes beyond the slogan "tá barato, dame dos" (“it’s cheap, give me two”) to force a rethinking of Venezuela’s relationship with oil and national identity. Produced at the height of the oil boom, this 34-minute documentary examines Venezuelan lifestyles in the 1970s and early 1980s, questioning the consumerist fantasies fueled by petro-wealth. Through interviews with merchants, bankers, U.S. academics, and the testimonies of Venezuelans themselves, the film maps the era’s version of the “American Dream” as lived—and projected—abroad. Winner of national and international awards and directed by Carlos Oteyza, Mayami nuestro offers a sharp, historically grounded critique and an open invitation for new generations to reflect on the legacy of oil and its cultural consequences.