CinéTé Amsterdam

She's a lawyer with a social conscience. He's a calculating industrialist who keeps many deals hidden from her. But when she discovers that her husband is involved in illegal arms traffic and is also having an affair with one of her colleagues, a direct confrontation ensues.

Set on the eve of World War I, this poetic coming-of-age drama follows Elias, a sensitive twelve-year-old dreamer living on an isolated country estate. Raised by an eccentric, overprotective family detached from reality, Elias finds refuge in nature and his vivid imagination to escape his internal struggles. His fragile childhood bubble is shattered when he learns he will soon be sent away to a strict boarding school. During his final summer at home, Elias experiences a bittersweet emotional awakening shaped by three relatives: his older cousin and close companion Aloysius, his young cousin Hermine, who harbors a subtle infatuation for him, and his beautiful, melancholic Aunt Henriette, who serves as a dramatic muse. Based on Maurice Gilliams’ modernist classic, the film is a nostalgic, melancholic portrait of a boy forced to leave his idyllic fantasies behind and face the adult world.

This film is based on the true story of Jean Bella, who served as an officer in the Belgian Marine while being convinced, from an early age, that he was in fact a woman. Director Jean-Pol Ferbus follows Jean Bella and makes him talk about his life, psychological and spiritual experiences and reveals the true poet who remained undisclosed for most of this person's life. The film ultimately isn't about transexuality but about loneliness one can experience when he/she feels very deeply that she/he belongs to the two sexes and this in a deep, almost religious, fashion, to such an extent that sexuality itself is being erased from one's life. Jean-Gina Bella is a woman in the body of a man who bravely lived a life on the sea, eventually fighting the elements, talking to God when lost on the immense solitary ocean. This testimony is a very touching and poetic one.

This film offers a deeply personal and emotional exploration of history through the eyes of a young Belgian woman traveling in Spain. By contrasting the 1936 anarcho-syndicalist revolution in Catalonia with mid-century European movements like May ’68, the narrative weaves together her personal heritage and political ideals. It acts as a subjective homage to freedom and utopia, questioning whether the optimistic spirit of 1936 and 1976 can ultimately survive the relentless, demoralizing weight of state power.