An old Renault 12 stops at a gas station. Its driver tricks the Attendant, a submissive employee, into driving the car to prevent the end of the world. As the Attendant drives non-stop, he confronts the enjoyment of the lives of others, who are outside of the car that makes the world spin.

Valeria and Segundo’s relationship swings between closeness and distance, sometimes wrapped in a routine loop and sometimes in full escape mode. Disturbing and subtle, Tornquist addresses those lives that seem to fuse together ancestrally just like the lush and majestic nature that surrounds them.