The Danish Film Institute

Ane and Thomas are in the middle of a divorce - when Ane suddenly suffers a stroke. They decide to stay together until Ane gets back on her feet, but as she struggles to return to life, love manifests where they least expected it.

A 16-year-old boy who spend summer with his grandparents falls in love with an older young man but when tragedy strikes, he falls into a dark hole of self-harm, lust, and loneliness.

When emerging fashion model Emma gets a chance to pursue her dream of becoming an international top model, she leaves her everyday life in Denmark behind, and moves to Paris. At a photo shoot in her new hometown, she meets the attractive photographer Shane White and they fall in love. But their relationship soon turns into a dangerous obsession for Emma.

The Hans Christian Anderson tale gets a new treatment, this time with a rat trying to exploit the talents of a little ugly duckling for profit.

Masha Drokova is a rising star in Russia's popular nationalistic youth movement, Nashi. A smart, ambitious teenager who – literally – embraced Vladimir Putin and his promise of a greater Russia, her dedication as an organizer is rewarded with a university scholarship, an apartment, and a job as a spokesperson. But her bright political future falters when she befriends a group of liberal journalists who are critical of the government, including blogger Oleg Kashin, who calls Nashi a "group of hooligans," and she's forced to confront the group's dirty – even violent – tactics.

Nationwide quietness. The streets are empty. Everyone’s glued to their screens at home, watching the final game. In the outskirts of Denmark, close to the German border, a small gas station needs to be open for service, even on this special night. Two young women have the shift. Ambitious Agnes is in the backroom putting finishing touches on her thesis, while free-spirited Belinda is on her phone, hoping to get the attention of her boyfriend. Unfortunately, the shift is not going to be as uneventful as they think, because no customers also means no witnesses, and the girls have been spotted to play a special part in a very different sort of game.

Past and present life in the anarchistic "free city" of Christiania, in Copenhagen, Denmark. In Sandra of the Tuliphouse or How to Live in Free State, Christiania is approached at face-value, as a self-described laboratory of freedom, an environment that provides an almost unparalleled opportunity to unravel a very particular history of markedly contrasting power relations and vivid social forces. Borrowing from the usually disparate practices of cultural geography and fictional narrative, the project is constructed as a visual, spatial, and aural investigation of the site. The situation at Christiania in 2001 is compared with its distant past as a military base, its more recent utopian regeneration, and its possible future.

In a remote Sámi village high in the mountains, 20-year-old Ejva inherits her late father's reindeer herd. As she struggles to keep the herd thriving, local leader Heaika develops romantic feelings for her, and though hesitant, she feels compelled to accept. But everything changes when Nejla, Heaika's cousin, arrives, and Ejva discovers true love for the first time. Betrayed and jealous, Heaika reacts harshly, leaving Ejva with a condition that makes her hands shake uncontrollably, threatening her ability to care for the herd. Now, Ejva must find a way to reclaim control over her life and her future.

Professor Eske Willerslev has an ambition to build the world's largest collection of prehistoric human DNA. As the collection grows, he is forced to confront the ghosts of his own past.

I traveled to South Africa to find a white family living on a desolate farm. I wanted to film how they faced the new days of equality after the fall of Apartheid. But I soon lost my way both on the endless roads and in my way. Instead, the film became a story about two very different women who both experienced a tragic loss in the midst of a white community not too fond of the future.