Ariel Film

Story of a young lawyer in Tehran in search of a visa to leave the country, which is what Mohammad Rasoulof did during the winter of 2010/11.

German big game hunter brings elephants back from Africa safely through enemy lines, but they go on a stampede in Berlin. Filming began during WWII in Germany, but production was stopped because story showed Third Reich police and military having problems coping with an elephant stampede; after the War, it got completed by its originator, and exported to the US with English dubbed, while removing all references to its 1940s German origins!

Harry Piel

A German scientist designs and builds a machine that will do dangerous work instead of placing humans in jeopardy. But the machine itself turns out to have disastrous effects on the people involved.

Chéri-Bibi is an ex-convict who undergoes plastic surgery in order to resemble his rival for the hand of Cecily. Once he emerges from the bandages, Cheri-Bibi is plunged into a series of melodramatic misadventures.

1931: in Ireland, a film maker hears of an aged ship's carpenter who knows the fate of the Hollandia, a Norse ship that set sail in 1905 and vanished. The old salt has canisters of film to prove his tale. We see the footage as he narrates. They sail south in June, 1905, with scores of Siberian huskies aboard, meeting no living soul, the crew ignorant of the trip's purpose, until they reach Antarctica. A mysterious Italian paces the deck; a polar bear appears, and the Italian, possessed, hunts it down. That night, the boatswain explains to the crew how an Arctic bear could be at the South Pole and why the Hollandia has come. Visitors arrive, and the Gothic tale plays out.

A woman falls in love with a married, Belgian man. She finds out that he's married too late... although it's the second thing he says. The rest of the film is about the struggle of the man between his two loves, and of the woman not able to finish the hopeless and dangerous relationship. The title "tot ziens" (au revoir, a farewell greeting that implicates that one will see eachother again), is the ironic description of the film, which is about going away for good and then coming back again, because something is always stronger than your ratio.

This documentary is an offbeat "road movie" in which acclaimed documentarian Heddy Honigmann travels with, and thereby discovers the stories of, taxi drivers in Lima. In the early 1990s, in response to Peru's inflationary economy and a government destabilized by corruption and Shining Path terrorism, many middle-class professionals used their own cars to moonlight as taxi drivers in order to weather the financial crisis.