New Creatives

A small group of queer punks find safety and comfort in their local queer pub; but their world is turned upside down. A group of normative heterosexuals have obnoxiously taken over the pub. Tate and Bunny lead a mission to take it back.

Originating from footage of Thomas Watson relating the conception of the telephone, Birth of the Telephone distorts and challenges the simplicity of this account. We uncover a different type of birth occurring. Here is a device that, beneath the camouflage of instrumentality, raises questions about connection, anxiety and death.

Documentary, performance, social commentary, and, of course, fashion. Ffasiwn, the film explores all of these forms but belongs to none. Clementine Schneidermann and Charlotte James have collaborated and worked with the same young people for the past four years. Drawing on their own industry experience, they have taught the young people skills such as sewing, customising clothes and styling in collaboration with Coed Cae Interact Club. The outfits you see in the film were designed and styled by the young people. In the film, the children parade from their estate to Blaenavon mountain revealing an intimate view of their world.

In a world savaged by pollution, it would seem impossible to comprehend a day-to-day life, but somehow normality must continue on. We follow one man navigate his way through his daily shop.

Distant memories of the past are recalled as fleeting fragments by a man in his eighties.