Fondazione In Between Art Film

In Brasília, the modern capital of Brazil, an anteater is found dead by the side of a road, a boa constrictor wanders across the suburbs, and foxes prowl vacant streets. Meanwhile, in the city zoo—home to hundreds of displaced and rescued wild species—the animals look back at us humans.

Halil spends his nights in a watchtower waiting for an enemy that doesn’t arrive, until suddenly strange lights appear on the horizon. Ali Cherri creates a universe in which a suspended and void time opens the door to ghostly presences from a past made of war. Shot with an extreme and detailed precision of vision and sound, The Watchman is an urgent film that deconstructs the myth of duty, laying bare the absurdity of the omnipresent war rhetoric.

Sunsets, everyday is the result of an investigation that the artist undertook of the process, both physical and cinematic, involved in creating images of domestic violence. During the lockdown, some victims courageously used social media to share photos of their faces, as a way of encouraging other women to report such crimes. The marks on their bodies were the only tangible proof of the blows and pain they had suffered, and the artist took these as a point of departure for thinking about all the things that happen out of sight.

In Nigerian Pidgin, okada refers to the informal motorcycle taxi service in Lagos. Karimah Ashadu paints the explosive portrait of a gang of bikers revving up for business, despite the official ban. This wild, performative ride draws connections between the representation of masculinity and the vulnerability of this precarious working class.

A dog and a human share sleep in the twilight of a calm house. Suddenly, the shapes of reality start to blur, and slowly, dream and fantasy take over. In his latest work, Andro Eradze shapes a new vision of surrealism, where impeccable image composition and a stunning sound work strike directly at the subconscious, submerging the senses in an ocean of absolute beauty.