Magyar Filmgyártó Nemzeti Vállalat

Különös házasság is a 1951 Hungarian drama film directed by Márton Keleti. It was entered into the 1951 Cannes Film Festival.

March 15, 1848; the revolution breaks out in the town of Pest. Yet at café Pilvax, in among he revolutionary youth, there is the informer of the imperial court as well. Hearing the news of the attack led by Jellasics, the inhabitants of the villages pour into the national army, and Hajdú Gyurka also escapes from his landlord. Petőfi is there at the camp of the revolutionaries, raising them to enthusiasm with his poetry.

Vörös Hajnal (Red Dawn), a co-operative is the venue of skylarking, while the storm destroys the wheat which is to be harvested soon. Árendás, a middle-peasant, voices severe accusations against members of the co-operative: out of negligence, they failed to keep the ditches clean. It is always the soft option they seem to favour, while the necessity of properly taking care of the farmlands is long-forgotten. Members of the co-operative and the village people are deeply divided.

Nagy István, the formerly poor peasant boy returns to his native village as a teacher. His conviction is that the abyss between rich and poor can be diminished by good will. The rich Böröcz Horváth Klári returns his love, and also Böröcz Horváth is willing to help the poorest family, the Bakos. Bakos Jóska, who was sent to serve the tough Böröcz Horváth as a payment, dies of an infected wound and the people in the village hold the teacher liable as well. Nagy István realises, that the abyss cannot be ceased, what is more, it is impassable. He breaks up with his fiancée and stands by the side of the poor.

Baracs Pista, engineer at the construction site of a railway line near the Korláthy estate, falls in love with Rolla, a countess disguised as a peasant girl. The count is giving a party as he wants the railway line to go across his lands.

1952. The workers who have performed the reconstruction of the bridges are now needed at the construction works of the underground railway. During admission they are diluted with elements of doubtful fame and many of them are in a bad mood for the wages, too.

Kis Katalin and Varga Jóska are getting married. During their honeymoon they are preparing plans for the future. Katalin, however, seems to lag behind both in her studies and the work competition, becoming a couch potato version of a wife. Jóska, instead of trying to help, does nothing else than his work.