Fortisfemfilm

Russia, Current day. Gynecologist Angela Kuhlmann finds herself in a very uncomfortable situation: she has to leave Moscow and start working within a province. The city is experiencing difficult times: because of the newly built highway to Moscow, it sinks into fornication and sin. Soon after Ms. Kuhlmann performs an illegal abortion - the patient claims to carry the Antichrist within her womb and takes the embryo home with her. From that moment on, a series of strange incidents begin to occur within her life.

When his two mature children Anton and Linda start leaving the house, after graduation, father Michael stops taking care of his body. Anton sacrifices his body for a bed-rest-study to contribute to spacetraveling, while Linda is in search of her first sexual experience.

Russia in 2000. The end of the post-Soviet era. The province of Ivanovo. The Mironovich family keeps a wake: their youngest son Andrej died in the war. His older brother Anton meets Andrej's last wish: He drives his motorcycle through the city at sunrise. Meanwhile, in love with Anton Vika is raped after the disco. Her mother commits a senseless murder at home. There are no guilty parties.

Invisible People is a multi-layered depiction of the unique Japanese contemporary dance Butoh that flows between revolt, eroticism, trance, prayer, ancestral experience, and physical anonymity. The film gradually drifts away from its core issue and becomes a general portrayal of life itself, with all its unforeseen strokes of fate and strange micro-connections.

The ambitious doctor and scientist, Lucy, develops the mom-ballon, an artificial womb, which disconnects the ability to give birth from the female body, thus freeing women from the natural order. Archaic, dislocating figures drive her to either sacrifice her own child for her scientific research or to finally face her own life as a housewife.

An experimental documentary film dedicated to Japanese Butoh dance: a multi-layered portrait of a unique contemporary movement within the gray areas between rebellion, trance, ritual, meditation, prayer, philosophy, ancestral experience, and physical anonymity.

In order to escape an ethnic massacre, four children are leaving their hometown. Each individual is leaving in different ways: with the last train, the last ship, the last plane… walking over the snow-covered mountains.

Ogurtsova, 55, lives with her mother and loves Russia with all her heart. Her decision to serve in the country's election unexpectedly leads to her mother's death.

The animation film is about a girl, orphaned by war and the way she tries to cope with realities of death and chaos around her. A story about lost childhood, lost memories and growing up.

Alexander’s transgender identity means he is obliged to lead a life of secrecy in his home country. Being identified as “female” in his passport means he cannot legally find work, either. Since even a visit to the doctor is a risk for him, he has begun hormone therapy to transition on his own with support from internet forums and the local transgender community. Desperate to escape their hopeless situation and leave the country, Alexander’s wife Mari decides to become a surrogate mother for 12,000 dollars. But their ostensibly pragmatic plan backfires when Alex and Mari gradually develop an emotional bond with the unborn child.

"RAPTURE I - VISIT" revolves around Ukrainian Vogue dancer Marko and the confrontation with his abandoned and inaccessible apartment in the region of Donbas, Ukraine, where the war is going on for ten years. This apartment, rendered through a 3D scan of original photographs, becomes a digital reconquest of territory as Marko visits it through VR for the first time since 2018. He cannot return to Ukraine or Donbas (now Russia) due to the ongoing war caused by Russia's aggressive full-scale invasion. To inherit the apartment Marko needs to enter the country of Russia, where he immediately will be conscripted and forced to go to war to fight against his own country Ukraine.

“RAPTURE II - PORTAL" revolves around Ukrainian Vogue dancer Marko and the confrontation with his abandoned apartment in the region of Donbas, where the war is going on for ten years. It fuses the idea of a physical lost home and the body of a dancer as an infinite eternal home. The film is contextualized by the self-commented tour of Marko, structured as a hypnosis session.

Pauline, 17, suffers from sudden attacks of narcolepsy and is abused by her father. She is almost dead, emotionally and sexually, from these experiences. Pauline gets to know Ivan and tries to escape with him to a place that seems to resemble the ordinance of her attacks. But the attempt fails and ends in patricide.

A story about love, fight for identity, fleeing and freedom for 12,000 US dollars.