CinéTé bvba

Life is good in the idyllic fairytale village of Nix... until an all-devouring monster appears. Young Willy has to fight it. Alone.

A man is being robbed and stabbed by a junkie and in the last second before he dies, a youth friendship flashes before his eyes

Film professor Michael falls in love with one of his students and is confronted with his pupil's father, with whom he had an affair over 15 years ago. This unexpected meeting abruptly overturns the lives of all the characters. When the tutor decides to undertake a planned trip to London, not with the son but with the father, he is once again forced to choose; this time between his wife and his friend.

Three scantily-clad female figures struggle to hold up the crumbling remains of an ancient Greek temple.

This film offers a deeply personal and emotional exploration of history through the eyes of a young Belgian woman traveling in Spain. By contrasting the 1936 anarcho-syndicalist revolution in Catalonia with mid-century European movements like May ’68, the narrative weaves together her personal heritage and political ideals. It acts as a subjective homage to freedom and utopia, questioning whether the optimistic spirit of 1936 and 1976 can ultimately survive the relentless, demoralizing weight of state power.

The story centers on Jean (François Beukelaers)—an ex-colonial and former mercenary—and his girlfriend Nadia, who together run the tavern. The bar serves as a gloomy crossroads where three different generations of patrons intersect. As these lonely individuals drink and collide, they confront each other's unfulfilled dreams, romantic illusions, hidden desires, and sudden outbursts of aggression. Trapped between their past actions and what could have been, the characters struggle with profound miscommunication. The film blends dark melancholy with sharp injections of humor, tracking a complex web of human relationships where everyone is simultaneously the hunter and the prey.