Re-framing Home Movies

A diary film built from home movies shot by a father in Sardinia during the 1950s and ’60s, capturing playful and affectionate family moments before his early death. Paired with Kafka’s “Letter to His Father,” the film reflects on absence, memory, and the filmmaker’s own father, exploring how those lost continue to live through the images we watch.

"He and I" narrates the reflections of a woman in her role as wife and mother lived between imposition and choice. Through the editing of the shootings of a single filmmaker who portrays his wife and life, the woman narrates herself being in opposition to her husband’s world, a militant always far from home. A reworking of female status as a political act to tell that love is an act of acceptance of differences and that personal memories are part of the collective history.

Between 1946 and 1951, "The Sardinian Project" upsets the history of Sardinia: the definitive disappearance of malaria, an endemic disease in many areas of the island. However, the disinfestation of the island represents only the first station of a stratified journey, a path between different eras, registers and points of view: the propaganda images and war-like symbols intersect with the gaze of the film-amateurs.

Inspired by the urban utopia of Arturo Soria y Mata, who with his "Ciudad Lineal" theorized an idea of universal, a priori urban expansion, infinitely repeatable and adaptable to all conditions, the film takes the form of a choral portrait of a city in transformation. The material that constitutes it, drawn from the Superottimisti Regional Archive, is the private and amateur film production of nine families who live there and who, holding the camera inside and outside their homes, trace heterogeneous itineraries in space and time, pursuing the loves , desires and dramatic experiences of their lives.