Makor Foundation

Sea, sun, island, a family on vacation. And all Yuval wants is to get the heck out of there.

In a Jaffa bra shop's fitting room, women's love-hate affair with their bosom buddies unfolds. As each heroine struggles to find the perfect bra, she bares not just her chest, but her soul, sharing tales of triumph, tribulation, and the occasional wardrobe malfunction. For breasts aren't just fleshy accessories-they're the protagonists of our life's epic. From the awkward moment they first break out, to the sobering reality checks of mammograms, our relationship with our "girls" is a bouncy roller-coaster of ups and downs because life, much like a poorly fitted bra, is full of surprises. This film unravels the mystery, myth, and full support between women and their breasts. It's a story that's written on our bodies, in every curve, contour, and stretch mark.

Gil Avni found himself in a Kafkaesque situation. He lies dying in the ICU, anesthetized and ventilated, diagnosed with cerebral edema. From the medical team fighting for his life and his closest relatives coming to say their goodbyes, Gil learns about his final hours. These 44 hours are told through his testimony and of those who were around him.

A phone call wakes me up early in the morning. My older brother got into trouble. Again. After another entanglement, I realize that I can no longer ignore the problems that follow him around, and which seem to be taking over my life. I use the camera to get answers from my family and a wall of silence melts away. Through a mix of amusing, intense, and eye-opening encounters, I begin to understand how relations in my family, especially with my mother, were influenced by an unspoken expression. Strange Birds is an intimate film that reveals an unspoken story about special parenting and the children who grow up in its shadow.

While investigating the destructive relationship of his parents, Efim, the filmmaker, stumbles upon a dark secret concealed from him. This revelation rocks his world and he sets out on a cinematic journey to heal his wounded soul.

Young parents Efrat and Ofir abandoned their newborn son Malachi due to a medical syndrome. Bat Sheva, a devoted midwife, chose to become his foster mother, giving him a new life. Interviews with Malachi’s biological parents, foster parents, and medical staff, combined with powerful animation, reveal the trauma of abandonment and its impact is revealed: the parents wrestling with guilt while longing for forgiveness, Bat Sheva’s boundless love, and Malachi’s journey to understand himself and his past. The film explores human complexity, responsibility, and the possibility of redemption amidst pain.

The year is 1994. A caravan site, built by the Israeli Government for immigrants from the Soviet Union, is about to be dismantled. Ilya (9) remains to defend the caravan of his grandfather, Jenia, who refuses to be evacuated.

Portrait of a girl from a poor family, who takes care of her parents while serving in the army at the crossings of Tul-Karm. When something bad happens at home and she has to go back, she grabs Saila, a girl from Tul-Karm just to go home.

For the first time, filmmaker Nurith Aviv sits down in front of the camera. As the defenders fall out, her unique life story as the first woman cinematographer in Europe turns out to be the key to her own films.

The saga of a restless and relentless Anglo-Jewish Family which according to its founding fathers, served as God's gift to Zionism, is exposed by the director, a member of the family himself, from an alternative humorous angle.

When Irmy, a soon-to-be-dad comedian goes to his own father asking for money, he finds out that his only inheritance is a tiny piece of land in the occupied Palestinian territories. To make things worse, he also finds out that extreme-right-winged Jewish settlers have settled in his land and made a winery out of it. Together with his father, Irmy wages war on the settlers, army, and Israeli government and demands his land back! What begins as a personal quest to recover this contested piece of real estate quickly evolves into a humorous activist adventure that exposes the mechanisms of the occupation.

2023. Tahsin Mansour lives across the Palestinian village of Azzoun. Once its mayor, he hasn't entered the village for years, fearing for his life. When the war broke out, a roadblock was installed, turning his house into an enclave - neither Palestinian nor Israeli. Tahsin reminisces on his days as a former leader of the Village Leagues: As Palestinian nationalism unites around the PLO in the 70s, the Israeli defense ministry offers incentives to a moderate leadership which will lay the ground for a diplomatic pact. The project draws fire from the Arab world and Israeli entities, declaring the Leagues members traitors. When this project fails, they become persecuted in their own homes.

"A Haunted Home" returns to one of the bloodiest and most forgotten events in the annals of the State of Israel: the massacre that took place on April 11, 1974 at 15 Yehuda Halevi Street in Kiryat Shmona, in which 16 of the residents of the building were murdered by a terrorist squad. Through interviews with the survivors and family members of the murdered, alongside archival materials never before shown, the historical, political and cultural contexts of the massacre are woven together.

382 Arab citizens have been murdered in Israel since 2019. The incompetence of the authorities in the face of violence in Arab society in Israel and his inability to provide his young family with basic security lead the director to consider moving to Jenin in the occupied territories, ater his attempts to live in nearby Jewish communities failed. The city is located not far from his native village, Deboria in the Lower Galilee, and it seems that life in the territories of the Palestinian Authority is much safer.

“Time Machine” goes back 30 years and depicts the narrative of Rockfour, one of the most significant rock bands in Israel. Formed in Holon by members Eli Lulai and Baruch Ben Izhak in 1988, Rockfour reached local success with the release of “The Man Who Saw It All” after which they began writing in English. In 2000, seeking world success, the band embarked on a four-year journey of intense touring throughout the USA. At a crucial moment in the midst of the American tour and following an emotional turmoil, lead singer Eli Lulai decides to quit the band and instantly returns to Israel, leaving the rest of the members to complete the tour as a trio. After a decade of absence and after the band continued its musical creation without him, Lulai returns to Rockfour, causing great excitement amongst Rockfour fans. Nevertheless, no one can guarantee a happy end.