Makor Foundation

Sea, sun, island, a family on vacation. And all Yuval wants is to get the heck out of there.

In a Jaffa bra shop's fitting room, women's love-hate affair with their bosom buddies unfolds. As each heroine struggles to find the perfect bra, she bares not just her chest, but her soul, sharing tales of triumph, tribulation, and the occasional wardrobe malfunction. For breasts aren't just fleshy accessories-they're the protagonists of our life's epic. From the awkward moment they first break out, to the sobering reality checks of mammograms, our relationship with our "girls" is a bouncy roller-coaster of ups and downs because life, much like a poorly fitted bra, is full of surprises. This film unravels the mystery, myth, and full support between women and their breasts. It's a story that's written on our bodies, in every curve, contour, and stretch mark.

A phone call wakes me up early in the morning. My older brother got into trouble. Again. After another entanglement, I realize that I can no longer ignore the problems that follow him around, and which seem to be taking over my life. I use the camera to get answers from my family and a wall of silence melts away. Through a mix of amusing, intense, and eye-opening encounters, I begin to understand how relations in my family, especially with my mother, were influenced by an unspoken expression. Strange Birds is an intimate film that reveals an unspoken story about special parenting and the children who grow up in its shadow.

While investigating the destructive relationship of his parents, Efim, the filmmaker, stumbles upon a dark secret concealed from him. This revelation rocks his world and he sets out on a cinematic journey to heal his wounded soul.

Gil Avni found himself in a Kafkaesque situation. He lies dying in the ICU, anesthetized and ventilated, diagnosed with cerebral edema. From the medical team fighting for his life and his closest relatives coming to say their goodbyes, Gil learns about his final hours. These 44 hours are told through his testimony and of those who were around him.

The saga of a restless and relentless Anglo-Jewish Family which according to its founding fathers, served as God's gift to Zionism, is exposed by the director, a member of the family himself, from an alternative humorous angle.

Portrait of a girl from a poor family, who takes care of her parents while serving in the army at the crossings of Tul-Karm. When something bad happens at home and she has to go back, she grabs Saila, a girl from Tul-Karm just to go home.

The year is 1994. A caravan site, built by the Israeli Government for immigrants from the Soviet Union, is about to be dismantled. Ilya (9) remains to defend the caravan of his grandfather, Jenia, who refuses to be evacuated.