Satel Film

A gifted engineer flees his austere roots to pursue wealth and success among Copenhagen's elite. As he rises through the ranks of society, the pride propelling him threatens to be his ruin.

A biography of the eighteenth century Viennese physician, Franz Anton Mesmer, who used unorthodox healing practices based on his theory of "animal magnetism."

The story of Napoleon Bonaparte's grandniece, the famous Princess Marie, her friendship and her work with Sigmund Freud.

The new forester Georg Walch wants to put the poachers out of business. Believing that the animal will return to him, the poacher Wolf Pachler leaves him his hunting dog Krambambuli. The feature film "Krambambuli" is based on the eponymous novella by Marie von Ebner-Eschenbach, the script was provided by Felix Mitterer. The main roles are played by Tobias Moretti, Gabriel Barylli and Christine Neubauer.

For the first time two antagonists meet in a countryside disco: one is a farmer's son, the other a drug addict singer from Vienna. And then there is her. The fight between the two men for the girl begins in in the city.

Viennese vegetable merchant Karl Kassbach becomes a member of a right-wing extremist organization, which plans numerous attacks on democratic institutions and journalists. The film attempts to portray a realistic and detail-oriented study of the mind of the "Kleinbürger", trapped between the fringes of the lower and middle-classes.

Martin Powolny, a down and out actor, calls himself Tiger. He lives in a tree house and practices his characteristic yell. An offer to make a film and an air-travel ticket entice him into the big city of Vienna. The director hopes he can finance the film if Tiger plays the leading role. There is no screen story as yet. Running away from a mean nightclub owner, Tiger is hit by an automobile and lands in a hospital.

The 35-year-old ministry official Baron Leisenbohg had the stage career ten years ago as the cast of the "Queen of the Night", opera that promoted singer Klare Hell. Klare shows no gratitude however.

The film presents the political events surrounding the Anschluss in March of 1938 through the lives of Carola Hell, a popular young actress at the prestigious Theater in der Josefstadt, and Martin Hofmann, the Jewish journalist she plans to marry. When we encounter the couple in the lovely springtime weather their future is full of promise. They are determined to stay clear of politics. Yet in the climate of the time, nobody of her prominence or his religion can remain apolitical. Although Martin's journalist friend, Drechsler, calls to inform them that the Nazis plan to take over Austria soon, they concentrate on their work and their private happiness and dismiss the warnings.

A group of men, addicted to pornography, have a chance to live out their fantasies but find that the reality is far different from what they expect.

Rosemarie is a hard-working young woman living in a small English town in the 1950's. She left Austria with her father during the war to escape the Nazi oppression and since then, despite poverty and loneliness, she has always kept the faith that better days would arise. When she meets Anton, one of her father's friends, she immediately falls in love and starts believing in a fortunate destiny with him. Against all impediments, their secret love affair may help Rosemarie to find out where she really belongs.

The intellectual Willie flees from his bourgeois-academic environment, leaving behind his wife, child, and job to lead a vagabond life. In Vienna, he meets the retired laborer Josef, who becomes his closest friend. Together, they drink and roam the city. Willie makes one last attempt to visit his ex-wife in Salzburg, but she turns him away. Secretly, he takes his son Tommi with him, putting him in danger when they encounter a sinister motorcycle gang.

Kurt Gerber is attending his final class and gets into trouble with the math professor, a frustrated self-assured petty bourgeois sadist. The duel ends in catastrophe.

Felix, a young projectionist, daydreams himself out of the loneliness of his projection booth and into a fantastic universe in which the characters in the films become his own. His dreams, wishes and reality become one in the fuzzy reflection on the projection window. A surreal play by Peter Patzak.