Les ateliers Varan

A secret figure in French underground cinema, Maria Koleva has filmed all over Paris, written about Marx and rubbed shoulders with the likes of Serge Daney. This documentary is a portrait of a histrionic Koleva, trying to reveal her militant, poetic and cinematographic universe, located in the Latin Quarter of Paris.

Portrait of a young woman through her relationship to money. The director films her friend for a whole month. The dynamic of the film is based on the bond between the director and Patricia, and on the reactions of this young woman to the financial difficulties, real or imaginary that she meets.

In an old district of Hanoi, formerly a village, new loud speakers must be repaired and installed. By observing everyday life, Vang Anh films with humor the animation caused by this event and plunges us into the heart of Vietnamese contradictions.

Gare du Nord in Paris is a transit station for all those coming from the suburbs, the provinces or abroad. Accompanied by Simon Mérabet, the son of Algerian immigrants from the Var, Human Geography offers a series of brief meetings with individuals who recount their lives in just a few words before disappearing to take their trains. The crowd of passengers is embodied in these stories, one life after another, and we see how globalization fashions individual destinies, subject to geographical and economic pressures.

A look at the life of society's outcasts through three locations: the Fleury-Mérogis prison, a low-income housing project in the Paris region, and the shacks of a vacant lot at the gateway to Saint-Ouen. A reflection on the idea and use of freedom.

Thi was born in a traditional family in the country. Her parents are teachers. She came to Hanoi to study languages. Today, she works as a translator. In the city, she gains more freedom: she meets foreigners and some of them have become friends. But when her mother comes to visit, she reminds Thi of the principles of traditional education, the duties and obligations of a young woman, and is insistent on the issues of marriage and children.

Documenting the transformation of Bưởi Road in Hanoi, from a labyrinth of houses and small businesses to a highway, with demolition crew destroying buildings - some still inhabited, gleaners looking for metal scraps to sell for a living, and people living on the edge of this crowded road finding a way to keep on living.

In Paris, there is a network of men married to young Filipinas, chosen through an international agency. Here is the portrait of a couple from this business: immersed in a happiness that drowns the spectator.

It's back-to-school time, and three-year-old Oona really, really doesn't want to go to school.

The Vietnamese State has decided to modernise and to establish vast tourist complexes along the entire coastal zone of the agricultural region of Quang Nam, forcing peasants off their lands. The film recounts the reactions of the inhabitants, many of whom participated in the liberation struggle for the independence of Vietnam.

An elderly woman, a boy and a dog. With a cart, they wander around the city collecting boxes and papers, and only return when everyone else is asleep. Produced by Ateliers Varan Vietnam.

Alix left his native island, Martinique, and its musical culture, to study opera singing in Paris. Portrait of a young man who now embraces all his singularities: his rare countertenor voice, his kohl and his done nails. He works hard to realize his dream of becoming a professional artist.

The grandfather tries to explain the family history, the traditions, privileges and duties of the eldest son to his grandson, who agrees to stay on in the village, unlike others of his generation who have left for the city.

Wakis, a lumberjack in the Central African Republic, works with his family collecting wood to process into charcoal. But faced with its increasing scarcity—and to avoid conflicts with his neighbours—he must “hunt” trees further and further away from his production site. Tanguy Djaka Yarissi creates an accurate social chronicle about the insecurity of a traditional trade. – Emmanuel Chicon

Sediq and Yousof work for the small electricity distribution sub-station in the district of Char Qala-e-Wazirabad. From day to day, they have to deal with the electricity shortage and repair the derelict installations. The film follows them as they're working and reveals life in a popular neighbourhood of Kabul.

Saud now lives in Paris, caring with devotion and tenderness for his two young children while closely following the drama in Gaza. “It's hard to be far away.” He speaks sadly of his situation as a Palestinian citizen of Israel. When he accompanies his daughter to school, they both stick up placards for the liberation of Palestine...