Antes Muerto Cine

An amateur archaeologist obsessed with e-waste records images and sounds over ten years. His research takes the form of a personal, playful and musical diary, crossing borders and archives. One day, he arrives at an electronic recycling workshop where the ghost of a working poet manifests itself. The search takes an unexpected turn and he sets out, in the company of his cat Pendrive, to explore the links between technology and memory. In times of environmental crisis, overproduction and acceleration of consumption, he wonders: how will history be written in the future?

Two women, granddaughter and grandmother, discuss the stories and contradictions of our gender and class, while sewing. Outside, a new generation of feminists takes the streets.

An e-mail and a found book are taken as evidence for an investigation: through analysis from a forensic software a relationship between what is built by humans and the spread of a virus is sought. What is the secret relationship between stones and pixels?

What is it like to produce images in 2020 while blind? Zezé Fassmor is a Peruvian multidisciplinary artist living in Buenos Aires: "I do everything but see", says his biography on the social networks he uses. He lost his sight at the age of 25 and today, at 32 and with the idea of seeing again, he films and takes photos, creating his own archive to see those images in the future. We travelled to the Iguazú Falls, exploring the geography of the senses to film another scene from his imagination. What is an image? What we see or what we have in our mind?

According to the myth still in force in the coal towns of Patagonia, if a woman enters a mine, the earth becomes jealous. Then, there’s collapse and death. Shady River starts from a dark personal experience to transform in a film about the silence of women who live in men's villages. How to film where our presence is prohibited? How to record the resonances of what doesn’t sound? As the fog and smoke from the power plant cover the town, the voices of the women of Shady River force their way between the white of the ice and the hum of the drilling machines, until blowing up the structure of silence.

A look back at the murder of a teenager by the Buenos Aires police, through the words of his mother and her obsessive observation of the place of his forced disappearance.

There is a house being emptied. There is an auction in the neighborhood of Flores. Clients fill the place, eager to buy all kinds of objects. There is almost no filter when fighting to get the best price that belongs to the dead, the exiles, the fugitives and the soulless. A reseller who is too preoccupied with the staging, a collector with a past as a fishing worker, and the owner of an antique shop that admits to selling the affections of people, hints at the state of things.