Peter, a young German, enters a suburban Buenos Aires restaurant; seeking only directions, he instead accidentally ends up with a plate smashing into his head, thrown by the irritable Olinda, the 60 year-old Italian immigrant owner of the restaurant. The two develop a friendship once they discover that the reasons for their having moved to Argentina are strikingly similar.

A separated yet self-sufficient craftswoman puts up a friend who is also separating. The hostess has three teenage children, and the arrival of her guest will interfere with their domestic harmony, apart from slowly but surely causing a hormonal surge in one of the boys.

Argentina's Eva told from the perspective of journalist Rodolfo Walsh the remarkable story of Eva Peron. The obsession of this writer and journalist in the reconstruction of the history of Evita is both rebuilding your own life and death and the fate of the Argentines. Considered a saint for the humble and a myth to the world, Argentina's Eve is the story of a heroine of the twentieth century was the World with the promise to return and be millions. The film is made of a 70% cut-out animation and 30% in archive footage, based on the designs of master Solano Lopez.

Haroldo Conti tells the story of himself. Through his literary stories, his voice rescued from archives, the fictional recreation of his anecdotes, and his characters, the film tells us about a man and his work. It is Haroldo Conti himself, that man who travels, a "homo viator," as he defined himself in the Latin he taught in schools, who guides us in this film through all his worlds: that of ideas, that of creation, that of affections. In all of them, one constant: a profound love for humanity and for life. Haroldo Conti, Homo Viator, knew how to live with intensity and conviction. But, above all, with joy.