Rabbit House

In August, 1918, Matsuura Ito lives in a coastal village of Toyama with her husband and three children. During the summer, there wasn't much fish to catch, so her husband has been far away from home to catch fish. To support herself and her children, Ito carries goods from ships like the other women in the village. Meanwhile, the residents encounter rising prices for rice. The women are unable to feed their family due to the high prices of rice. The women ask a nearby rice store to sell rice at lower prices, but it fails. The price of rice continues to rise daily. Due to an incident, Ito and the other village women step up to the plate.

Kasumi doesn't know what love is and she doesn't have any feeling of romance. Due to her sister's marriage, her mother arranged a formal marriage arrangement without her permission. At the meeting, she met a man who is just seeking a friend.

Daiki, who works part-time as a bartender at joshidaikoji (meaning Women's college alley), discovers a junior high school student in cardiopulmonary arrest in a park while wearing a cosplay costume. Since it was three days after the dead body of a junior high school student was found at the same place, Daiki is brought in by the police as a suspect in a serial murder case. His sister Mio, who works at a club in Yanagase, saves him from this predicament. The two sisters always quarrel whenever they meet, but in order to prove their brother's innocence, they pursue the real culprit in the case.

Aoi has dropped out of high school and gives birth to a baby son with her husband Masaya. They live in Okinawa, the Southern island of Japan where they were both born. To make ends meet, she starts working as a night-club hostess. Masaya loses his job and cannot deal with the family’s responsibilities. Their immaturity and dependence aggravate the relationship and continuous fights lead to a social downfall. Aoi’s bond with her son sets her on a path to find solutions.

In a fading village in the Japanese countryside, the school is about to be closed, which weighs heavily on the students. Freshly arrived from Tokyo with his father after an acrimonious divorce, the shy Akira escapes into drawing and agrees to participate in a mural project to mark the end of the institution.

Hiroshi Yoshida wanted to become an actor, but before he knew it, he only played the roles of corpses.