Years after the Salvadoran military destroyed the village of Cinquera in that country’s civil war, survivors have returned to rebuild their community. Soulful, beautifully rendered, this amazing debut is an evocative testament to place, memory and the power of life to rebound from tragedy.

The story of the oil leader Lázaro Pizarro, of his political and personal wars, the use of crime to settle conflicts and the course of his power between the basements and the domes of Mexican politics, have a narrative record made in the Gulf of accuracy and dexterity

Ana and Leo, are marked since childhood by a sudden event: the suicide of their father. Separately, they take life as they can, without removing the feeling that anything can become as disposable as plastic.

This is the story of Pablo, a young uruguayan exiled in México, whose father was disappeared during the military dictatorship.

Mexican feature film

Natalia, a radio host searching for her missing husband, becomes entangled with a smuggler seeking revenge and an amnesiac obsessed with her as his key to recovery. Against the backdrop of a radio program sharing stories of the disappeared, her quest reveals a web of loss and unanswered questions.

Fernando and Gabriel are two brothers living in a broken home. The anger and sadness that fill the house forces them to escape for a weekend into the woods. Gabriel will witness his eldest brother's self-destruction.

In an unnamed Latin American country that closely resembles Mexico, the government fights a rural insurgency with torture, assault, rape, and murder. Soldiers descend on a town, cutting off the rebels from their cache of ammunition hidden in a field. A family of grandfather, son, and grandson are among the rebels in the hills. The grandfather, with his violin over his shoulder, tries to pass the checkpoint, ostensibly to tend his corn crop. The commanding officer lets him pass but insists on a daily music lesson.

Juan Perez is a wizard who begins to remember how he lost his head, after an economic crisis in the Circus where he works, he promises to mount a spectacular act of beheading that it could again return it to its glory years. But without any fifth in the bag and with time running out to build a machine is forced to rob a real guillotine without this weighs a terrible curse.

Javier and Elisa have committed a murder. María, Javier's mother, has to decide whether or not to help her son.

Three different ways of facing the apocalypse five hours before the end of the world. fantastic and romantic moments of love, an anxious waiting time and the desperate search for pepper in an apocalyptic and crazy world. Events cross and mix. Time seems to get beyond control.How does one live out the last five hours and 38 minutes before the end? We see the last. /// A cinco horas del fin del mundo, se plantean tres maneras diferentes de afrontar el apocalipsis.

On his last night before going abroad, José goes out to a party with Milena, his best friend. The night will develop into a serie of events that will change their relationship forever.

A woman spends a day on a mysterious residence observing her terminally ill mother.

Aurelia and Antonia distance themselves from their youth due to the greed of one of them to keep the house that their parents inherited. Aurelia spends her life alone in the countryside, until one night Antonia knocks on her door. Between the bewilderment and anger at the visit, Aurelia agrees to live with her sister who shows strange behavior and little by little she will discover what is behind it.

Juan and Pilar return to Mexico City on the same train. Destiny cross their paths in a taxi stop, off the train station. A cab arrives and they take each other's baggage by mistake. After that, they spend two days looking for each other, trying to recover their stuff. In the meantime, Juan reads Pilar's diary and she listens to his thoughts recorded on tape. Love begins to grow between these two proper strangers.

Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.

The minute Lucia hears the news that her ex-boyfriend Felipe was admitted to a hospital, she rushed herself to meet him. As Felipe was found to be in a critical condition, Lucia makes up her mind to nurse him, but soon realizes the unresolved feelings she had for him.

Chano is deported back to Mexico after living most of his life as an ilegal immigrant in the USA. Now, away from his wife and kids, he lives alone and depressed in the country where he is supposed to belong. While rebuilding an old motorcycle with Don Memo, a retired motorcycle racer, with whom he is forced to work, he will discover where his real home is.

Yessica is a rebellious girl who forms an unlikely friendship with quiet schoolmate Miriam. Yessica's home life is ruled by her brutal stepfather and her amoral stepbrother, Jorge, while Miriam shares a calm, loving household with her mother. The girls' friendship is shattered after Jorge arranges to have one of his friends rape Yessica.