When Marushka enters Ivan's butcher shop, it's not to buy sausages. In the back room, vodka and waltzing and the pleasures of the flesh may lead the two lovers to the ultimate chop!

Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.

The daily life of an Afro Cuban family and the relationship between the carnal and the spiritual in the sacrifice of their last cock to eat.

In the dense night, when the moon lifts the tide, beings trapped in the daily life of water scarcity, they are hypnotized by the powers of Yemaya, the goddess of the sea.

On the stage of a destroyed theater, we saw a play in which Elizabeth, Mercedes and Crisalida, three black women at different stages of life, relive everything they suffered from the interpretation of their own conflicts in the form of inner monologues.

Alfa, a famous porn actor, must deal with his fears, insecurities and memories when he begins work on a new film without Yerry, his former partner in life and porn. On his first day of shooting without him, Alfa tries to act as in the past but can things be like before? Javier Ferreiro's short film reflects on the difficult decision of letting someone go to move forward. ALFA is framed in the context of gay porn cinema in Cuba where pornography is banned but, little by little, it's growing up an underground industry impulsed by foreign tourism.

Sergio Abel lives in a small town in Central Cuba and he videotapes his life. He is also a grade school teacher. A beautiful documentary that incorporates Sergio’s observations and footage and his student’s aspirations for the future with the outsider’s eye to tell his story.

A version of El Estatola del Campo's poetic Faust of the Poet (1886) integrates the major trilogy of Argentine gaucho poetry, is proposed here in a faithful version and integral.

Having Cuba as a background, decadent and in crisis, in a black-and-white lacerated by the Caraibic swinging rain, Alex and Edith, a couple in their 30s, live their love story made of small daily gestures, stories from the past, nostalgia, and a deep intimacy.

A documentary about the village of Regoufe, threatened by wolves and endangered by human desertification.

Poetic documentary about the experience of a Puerto Rican film student in Cuba.

In a fumigation centre in Havana, Mayelín has the ungrateful task of fining citizens who infringe sanitary regulations. Apart from fighting dengue and disciplining her workers, she is, herself, under pressure from one of her supervisors. Mayelín must learn to find her place within a stressful and sometimes aggressive work environment.

Regina and Mauricio set out on a trip to meaningful places from their 30 years of marriage, places they had never imagined they would return to. Halfway through the trip, they split up when Regina goes to celebrate her mother's birthday. Everardo, Regina's father, never accepted a husband for his daughter who didn't measure up to his expectations. During the family celebration, a phone call from Mauricio surprises everyone.

Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.

In no particular time and space, a family fabricates goat cheese. The mother and the daughter pretend to sell the cheese in a lonely road, but they are really selling their bodies. They leave the hard worked cheese to decay in a pile of dirt and rot. The mother encounters existential desperation when the daughter departs with a costumer and the father prefers the company of the goats.