Fondo Nacional de las Artes

Jimena travels to Río Grande, on the island of Tierra del Fuego in southernmost Argentina, to join her half-brother Mariano. She has almost no money to travel but manages to arrive there hoping to have a better life in that manufacturing region. The wind, the cold and the complex economic crisis form the background against in which Jimena will develop empathy for the people around her and a feeling of belonging there, but also a place where she will learn to know herself better.

Las Indomables await with anxiety the start of a neighborhood women's soccer tournament. During the wait all kinds of events happen, love, conflicts, politics and even a rain, stalk the passion for which they are there: Play football at all costs

Mariano and Juan have been dating for several years; they have a dog and a quiet life. Mariano always wanted to have a small plant nursery away from the city and now that Juan’s work as a writer is more established due to the success of his latest novel, they decide to make that change. While they adjust to their new space and their new routines, they receive a visit from Juan's best friend, who has news to tell them.

A sunny morning in Buenos Aires. All seems quiet, but then an odd race begins: a variety of people are after a backpack. A little army of seekers surprises us at every corner. Suddenly, a lonely bureaucrat (Mapache) is involved in this adventure, and new, mysterious and unknown people start to populate his life, all running around the popular Argentinian city to obtain the backpack which seems to be crucial to his own fate, according to the words of his new accomplice, magician and tarot reader Luminitsia.

Theatre of War is an essay on how to represent war, performed by former enemies. British and Argentinian veterans of the Falklands war come together to discuss, rehearse and re-enact their memories 35 years after the conflict.

In the mid-1950s, Sara Facio burst into the world of photography. A tireless precursor, a photographer with a unique gaze, an audacious photojournalist, with the camera on her back, “was there” whenever she wanted.

Lost in a world of grown-ups, young Memi is torn between the glamour of the carnival pageant and the social pressure to become a winner.

In Córdoba, far from the Argentine capital, the end of a military regime promises a spring that is all too brief. “La Delpi” is the only survivor of a group of friends who are transgender women and drag-queens, who began to die of aids in the late 80s. In a Catholic and conservative city, the Grupo Kalas made their weapons and trenches out of improvised dresses and lip-syncing. Today the images of unique and unknown footage are not only a farewell letter, but a manifesto to friendship.

María Estela Martínez, better known as Isabel Perón, achieved what Evita Perón never could: From an unknown cabaret dancer she became the first female president of the Americas. But after surviving prison and exile under South America’s most brutal military dictatorship, Isabel was forgotten in popular memory. “Una casa sin cortinas” (A House Without Curtains) uncovers why Isabel still haunts Argentina today.

Jorge Giannoni isn't a hero; he's a witness to the darkest part of the history of independent cinema in our country, and of an entire generation; a story that saw him present alongside Raymundo Gleyzer and Glauber Rocha in the turbulent Brazil of the 1960s, during the French May as a producer for RAI, in his work as a face-hunter for Fellini, and in film production from Cuba, making documentaries critical of the Trial; a history riddled with encounters, disagreements, exiles, frustrations, burned negatives, and a few triumphs.

A boy is summoned, through a mythical character, to the past of an oppressed people, where a logging company exploits workers and forests alike. In his particular odyssey, he will witness events that will identify him with the history of different peoples who are one.

Adriana Lestido is an essential artist in Argentine photography, with a loving and committed gaze on captivity, motherhood and the most primitive impulses. This is her portrait, made from the intimacy of friendship, in her search for new paths and her desire for transformation and growth.

Federico Manuel Peralta Ramos was an artist responsible for the creation of a work that it was as ephemeral as it is eternal. He was born in a traditional family, but some years later the curiosity for the art scene, night life and avant-garde development pushed him to live within the iconoclastic and unbiased young 60's crowd.

A veteran boxer loses his hearing after an arranged fight. The desperate effort to continue training, the loneliness and the silence drags him to a constant fight outside the ring.

Sixty years after the creation of the Cinematography Institute of the National University of the Litoral, in the midst of the Fusiladora Revolution, former teachers and graduates bring to the present the conflicts generated by their audiovisuals critical of capitalism. Despite the definitive closure in 1975, for these former teachers and graduates, the fight continues from the new film schools that opened in Argentina and Latin America.

The portrait of a man and his attempts to make things up with life after losing his job.

It tells the story of one of the greatest exponents of Argentine tango, who captivated audiences with his unique voice. Using previously unseen archival footage (home movies, unreleased recordings, interviews), anecdotes told by family, friends, and various figures from the artistic world, the documentary reconstructs Goyeneche's life through his own voice. An emotional and sensorial journey through the life of one of the greatest legends of Argentine popular culture.

Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.

In a remote valley in northern Argentina, the local herb of love, Muña Muña, is in bloom. Olga, a 60-year-old nurse, is preparing to say goodbye to her only son, who is about to leave the country, when she meets Stefano, a young French tourist. Their unexpected connection stirs a desire she thought was long lost.

A journey through the conflicting relationship between a man, his social environment and codes.