Istituto Luce-Italnoleggio Cinematografico

An funny, witty and bright biopic by the master of italian comedy Mario Monicelli about the famed italian composer Gioacchino Rossini, here portrayed in a wonderful way by famed actor and later director Sergio Castellitto.

After leaving her boyfriend, a girl wanders for a few days meeting new people and experiencing new emotions

Claude Goretta brings to life the age-old tale of Orpheus and Eurydice in a fresh adaptation of Monteverdi’s Orfeo. Monteverdi’s fabled opera Orfeo was long described as the first opera to have been written. Although modern scholarship has proven this to be untrue, the work remains one of the pillars of western music history, a musical creation which laid the foundations for much of what was to come. As musicologist Jack Westrup explains, Orfeo marked a major milestone not because it broke new ground, but because imagination had taken precedence over theory. While Monteverdi may not have been a revolutionary, his music represents the culmination of centuries of musical evolution, and shows him as the clear master of both polyphony and monody.

Estranged childhood friends, both passionate filmmakers, find themselves on divergent paths: one an acclaimed Oscar winner, the other struggling in TV. Accusations of plagiarism further strain their relationship as one's success is built on the other's stolen ideas.

This European existential drama utilizes complex symbols inspired by abstract psychological theories to explore the effects and reasons behind a young classical actor's decision to stop talking. No one knows why Massimo has vowed to stop talking. Other than speaking dialog from classical plays, Massimo refuses to say a single word. His father, a classic-literature professor believes it reflects to a disappointing love affair. His new girlfriend thinks Massimo is rebelling against his mother, a poet. A director learns of Massimo and commissions his mother to write a play about him. Though Massimo plays himself in the play, and does speak, he returns to silence when the play is finished.

The life of a rootless insurance agent starts falling apart.

In Calabria in the seventies, Max leads a group of his friends as they set up a private television network "TV Sila".

The study of semantics has convinced Amedio that things only have relative validity, and that everything is changeable. So it seems, because while on an Italian holiday with his family, he conceives the idea that his aging wife should assume the role of his mother, and his daughter, who has an infant son, should assume the role of his wife and lover. His real mother, an elderly invalid, dies just as this conceit begins to take form, and, inexplicably, the women placidly go along with this odd notion for a time, but eventually return to their former roles.

Physician Robert Briand (Robin Renucci) runs a leper colony in the 15th century that takes in new residents who suffer from the ravages of syphilis. When the beautiful Marie-Blanche (Isabelle Pasco) is brought to the grim, prison-like facility, Robert finds she displays no apparent signs of disease. He risks everything when he falls in love with the woman and makes plans to run away with her. Erland Josephson plays Robert's father, with Piera Degli Esposti as Robert's faithful assistant Terese.

Silvia, who lives in a villa in the hills, has a quarrel with her ​​husband and his friends and then goes away down to the city, where she has the bad luck of being attacked by a group of misfits. At her rescue is a photographer who, in turn, is in trouble for having witnessed a murder by the Chinese mafia...

The daughter of a weird archaeologist is about to graduate from school, and she’s already thinking about the holiday she wants to spend with her dad. For some reason, this holiday will never happen, so she starts dreaming about a journey full of adventures while venturing unknown lands.