near/by film

16th century: After a period overseas in the Antarctic France, Jean Aurand finds refuge as a servant in the house of French philosopher Michel de Montaigne, where a series of fantastical events change the lives of these two men forever.

When the filmmaker receives his first video camera at 13 years-old, he begins to film his family during their holidays. Together with his stepmother, bonding over their shared feeling of neglect, he starts plotting the murder of his father. Stumbling upon this material more than a decade later, Zanotta playfully revisits and rehashes this hidden childhood into a found-footage genre tale, proudly showing both the crime they commit and the genesis of his love for cinema.

Five girls take the viewer on a journey through their parents’ experiences of the war in the former Yugoslavia.

A cannibal drama in which the actors play unfinished characters, often unsure of who they are on and off screen: a closeted gay man, his mother and his lover caught between the anxiety and pleasure of castration.

A short experimental film about the piercing experiences of three interpreters of the Yugoslavia Tribunal in The Hague and their position as a channel between speakers and listeners, witnesses and defendants, judges and attendees.