Moldova Film

Three troubleshooters are sent into a remote field to fix a broken cable. The cold, too much ardour and a little bit of vodka will make their work useless.

The foundation of this comedy is funny stories and anecdotes. The main characters are dogs. Each of them, with their clothing and appearance, resembles their owner. They sit at the casino gaming table and, in between games, tell funny and very amusing stories about their owners.

Jonah's merry journey to the fair, where he wanted to buy a barrel.

Alina and her husband Peter, had lost his son in a car accident. They came to Moldova, Alina place of birth, trying to adopt a child. Păvălaş reminds him of his lost son. Irina fled from Italy and returned to find the child. She meets her friend, Tatiana, and together they go in search of Păvălaş.

The mayor, the deputy, and the village policeman go to visit a railway guard in order to compose verses. Poor fellows…

A group of Soviet paratroopers are engaged in a secret operation in Adriatic sea during the last year of WWII.

An alien ends up in uncle Ion's courtyard. Uncle Ion invites the alien inside and treats him as a guest, giving him wine and food. The alien decides not to destroy the Earth after seeing this hospitality.

Two young, he (Vlad) -a poor factory worker, but with profound inner experiences, admirer of Shakespeare, Nichita Stanescu and Bob Dylan, she (Jana) - a girl ready for money, live a romance. Jana, although Vlad's love, marries Alic, a young wealthy businessman.

Mafia is trying to force an Afghanistan war veteran Arseniy to become a contract killer.

An experimental film about the eternal life of music, and about how it belongs to all.

At the center of attention is a female character - a prostitute - who stands in contrast to the "mother figure," a symbolic image established in the previously analyzed film. The content is intimate in naturem it is a candid, unprejudiced conversation between the director and the protagonist. These symbolic images reveal the critical attitude of those around her, as well as the inner anguish experienced by women who are prostitutes.

Director Vlad Druc creates a collective portrait - a film that serves as an ode to, and a metaphorical evocation of, the feminine figure. Replacing verbal language with an audiovisual one contributes to the film’s symbolic expressiveness. The director presents women in various guises, highlighting their emotions, feelings, and inner energy; simultaneously, we witness their capacity and strength to overcome the trials and challenges of the times. In the gazes of the protagonists, one can discern a sense of reconciliation with their own fate.