Fratura Filmes

Clinical case: G. is a 38-year-old actor and his grandmother died with symptoms that prevented her from sleeping. He leaves Lisbon and returns to his small hometown in Brazil where he is haunted by a cursed inheritance and his forbidden first love, W.

Andre lives by himself in Sao Paulo. His mothers arrives. His boyfriend goes away. Andre live by himself in Sao Paulo.

Projectors, films and light fixtures comprise a system subjected to repetition, wear and continuous observation. In Lux, light is treated as matter, index and vestige of the cinematographic device itself. The investigation remains open, rejecting any definitive diagnosis.

Ingra's faith is shaken when she realizes she is being haunted by her criminal past.

Jair’s courtship is over.

"Do you think we will be able to be apart from each other?"

Some trees and some snow.

"My father told me I was ill."

In Sao Paulo, Janaína and João take care of each other. She has epilepsy. He is in a relationship with a man who prefers to keep his distance. Above their lives floats the vague trauma of a mudslide that may have buried men and machines alike. Together, they try to protect their bodies from the evil that seems to spread like a fever.

Among ruptures of memories, geographical and affective displacements, we revisited with Bruno the incursion into a city full of noise but that still emits a minimal murmur of love.

One street and one couple.

Among grand mal seizures and geomagnetic storms in São Paulo, André looks for his mother and his lost affections.

Obstinate Daniel’s grumpiness is evident. He really doesn’t want to accompany his mother to an oncology conference. However, an unexpected meeting makes it an interesting weekend after all. Shot on grainy film stock, with camera work as uncompromising as Daniel is.

"Passion during monster attacks."

"Happiness can be found even in the darkest hours, if we remember to turn on the light."

The encounter of two ghosts in a jewish cemetery in São Paulo set the haunting stage for this dark coming of age, where mourning heritage and mourning love is to understand who lives or who dies.