Zeitun Films

Jesús, a middle-aged man, finds out that he suffers from a venereal disease. Feeling guilty, he abandons his pregnant wife and flees to the countryside. In Pozoamargo, a small village lost in the middle of nowhere, he works as a grape harvester, living a simple existence, until he meets Gloria, a peculiar young woman.

A dying Sheikh travels across the Moroccan Atlas in a caravan escorted by two rogues.

Portrait of Costa da Morte (coast region in Galicia, Spain) from an ethnographic and landscape level, exploring also the collective imagination associated with the area. A region marked by strong oceanic feeling dominated by the historical conception of world's end and with tragic shipwrecks. Fragmentary film that approaches to the anthropological from its protagonists: sailors, shellfish, loggers, farmers ... A selection of characters representative of the traditional work carried out in the countryside in the region, allowing us to reflect on the influence of the environment on people.

Santi is a teenage father who lives in a small coastal town. During the day he has a job as a fisherman, while at night he smuggles seafood. While his girlfriend Lucia takes care of their baby all by herself, Santi, absent and overwhelmed by responsibility, seeks refuge and redemption in the sea.

Time seems to stand still in a village in the Galician coast. Everybody there is paralyzed although we can still hear their voices: they talk about ghosts, about witches, about monsters. Three women arrive in the village to find Rubio, a sailor who has recently disappeared in the sea.

A European director is making a film with children from a social center in Tangiers. Because of his methods, his relationship with the children during shooting degenerates and transforms the evolution of the project.

The story of Kaspar Hauser, who grew up in dark isolation from humanity, it is provided by a Gallician artist with a radical experimental adaptation that aims to be nothing less than a religious message. Black & white 16mm, without the language of reason, eye to eye with the primaeval puzzle. The story of Kaspar Hauser, the German 'wild child' who grew up for 16 years in silence and virtually in the dark in a stable with only a wooden horse as company, remains fascinating, also for filmmakers.

Drops of fire that create a universe of magmatic asteroids. Liquid and gravitational reality. Cosmic energy. Atomized Rhythm. Neurons of a liberated unconscious. Elimination of the idea of "soul" as "everything", reducing it to the condition of units of energy in perpetual process, elementary particles, without duration, that arise in perfect dependence. The "I" as a stream of units of force in ceaseless becoming that procures the illusion of an entity. Karmic chain. The idea that eternity resides in the transitory, the eternal belongs to it instantly. Eternity not as infinite duration but as absence of temporality. Universe of a mobile, procedural, relational and interactive nature of everything that exists. Here the "object" is conceived as something that is constituted, completed, lost and recovered with the vibrating rhythm of a universe in constant production.

'Wandering Star' starts with a text about the punk band Los Fiambres, which made just one cult record in 1984: El lado oscuro del R & R (The Dark Side of Rock & Roll). Gracia follows Los Fiambres vocalist Rober Perdut more than thirty years later. He meets a photographer for a photo session in a bus station, is looking for drugs and loses someone named Roni (Rober’s surname does not coincidentally mean ‘disappeared, lost’). Rober sniffs coke from a Johnny Cash CD and is sailed to an island. In other scenes, we follow the photographer, who sometimes disappears mysteriously.