Pathé Cinema

A photo montage of Cubans filmed by Agnès Varda during her visit to Cuba in 1963, four years after Fidel Castro came to power. This black & white documentary explores their socialist culture and society while making use of 1500 pictures (out of 4000!) the filmmaker took while on the island.

For 15 years after Waterloo, a baron refuses to accept the defeat. He reluctantly marries one of 2 Bourbon sisters but lands up dueling with the wife's former lover. Finally he gets a chance to prove himself again in battle.

This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.

The novelist Suzanne Delmont creates a character, "The Uncatcable Frédéric", a sort of Arsène Lupin. A mysterious stranger launches a press campaign accusing him of having a harmful influence on young people...

Film shot on May 16th 1917 for the Rockefeller Foundation's anti-tuberculosis propaganda campaign in France