المؤسسة العامة للسينما

In the destroyed city of Quneitra is the grave of a resistance fighter for Palestine. His son, the director, tries to restore the dead man's history by mixing echoes of his mother's memory and his desire to give his father a more honorable death. Through the daily lives, dreams, fears, and hopes of its citizens, Malas chronicles his hometown Quneitra in the Golan Heights between 1936, the year of the first revolts against the British and Zionists in Palestine until the year of the city's destruction. He seeks to exorcise a feeling of shame and humiliation that long accompanied the image of his father and also his town, occupied by Israelis in 1967.

Al-Qaeda (al-QIA) affiliated terrorist organizations such as al-Nusra and ISIS have laid siege to Aleppo City Prison. Syrian police and soldiers and more than 2,500 prisoners remained under siege for more than a year. Until May 22, 2014, when the Syrian Arab Army and Hezbollah broke the siege. This movie is about the legendary resistance of Syrian security forces and prisoners under siege.

Adel is from an aristocratic family that lives in Syria during the French occupation, his culture forced him to rebel against his family, and descend to the bottom of society wishing to change his life, he got to know this society and loved him, but he became torn between his culture, and his aristocratic origins.

Three Palestinian men strive to escape the hardships of life in a refugee camp. Under the scorching sun, the men enlist the help of an old man, Abu Al-Khaizuran, to smuggle them in an empty water tank across the desert.

The film follows three Palestinian refugees brought together by dispossession and hope for a better future. Hiding in the tank of a truck, the men attempt to make their way across the border into Kuwait, the "promised land."

The Yazerli is the foreman who provides work to day laborers. The film’s poetic, non-narrative structure simulates the fractured thoughts of a young boy who is forced to leave school and find work on the docks. Using minimal dialogue but evocative music and sounds, separate vignettes introduce characters the boy encounters in a single workday. The filmmaker explores the child’s vivid imaginary world while tangibly conveying the physical harshness and repressed sexuality of a life spent in poverty and manual labor. Based on a novella by Hanna Mina.

The film sheds light on the kidnapping of Syrian women who were subjected to torture during the years of the Syrian civil war, and the suffering they had to endure along with their families.

Story revolves around a love story between a soldier at a checkpoint and a girl living next door, who face political differences and the problems of war. The events and personalities of the film also monitor stories from the contemporary Syrian scene that bear the smallest details, as the film deals with the daily and daily reality in Syria.

Dib moves with his younger brother and their mother from his home town of Quneitra to Damascus after the death of his father. The children’s grandfather, who was known for his tyranny, reluctantly agrees to shelter the grieving family, and tries to force his daughter to marry again. The magic of the city of Damascus takes over the conscience. Dib, whose main concern has become discovering all the secrets of this city, is driven by his heart full of dreams, but he sees nothing in his life except humiliation and cruelty. The fragrance of childhood dies in Dib's heart, as he grows up in light of the political fluctuations that prevailed in the fifties (the end of the military dictatorship in Syria at that time, the nationalization of the Suez Canal, Nasser’s rise to power in Cairo, and Egyptian-Syrian unity in 1958), so that his rosy childhood dreams were shattered on the rocks of cruelty and violence. The city's dreams turn into a nightmare..

As far as one can remember, water has been dropping from this ceiling. One drop after another, slowly, like an ever-repeating dream that spreads all-over and changes the rhythm of life, creating a partition in-between the internal and the external. One camera for Nidal Debs, another for his hero Marwan, One camera shooting what the other sees. who makes the film?. Marwan lives in Damascus since a long time, since when refugees arrived and filled the city, since hardship was even harder. He & his friends lived those times when life was different, when dreams were bouncing in the streets. Something is happening today, the friends awaken as Ahmad passes away, a life-time of silence has passed, a life-time of frustration and loneliness must end, dreams are searching for a few minutes, for last moments, there is still a little time left. There is a new space today.

it’s a love story of married couple who were separated by death ,where the wife saw it coming at breakfast due to the frequent bombing on that day.

After refusing to leave his home despite the horrors of the Syrian war, Yousef is forced to flee his hometown to protect his family and help his grandson fulfill his life-long dream.

A girl and her boyfriend are swindlers who have successfully carried out previous frauds. When they find out that their neighbor has an amount of money that he is safekeeping for a friend, they devise a plan to swindle him.

Against the oppressive environment of religious fanaticism, political turmoil, archaic traditions, and the rise of fundamentalist Islamic movements, one extraordinary Arabian woman rises up in a personal, revealing, and dangerous quest to champion justice and equality for all women. WOMAN is a feature-length documentary based on the writings, lectures, and life of Nobel Prize nominee, activist Bouthaina Shaaban as she fearlessly ignites awareness while advancing the cause of rights for Arab women - from securing formal acknowledgments throughout the Arab world that women should be afforded basic human rights, to waging an international battle defending the integrity of the real Arab female, all accomplished with the firm hand of diplomacy and the power of her pen.

Based on one of the most famous novels by Syrian novelist Khairy Al-Zahabi, the film tells the story of a woman from a Syrian family who is married but always treated badly by her husband, and is good at embroidery.

Sabah is a creative writer who goes through the complexities of life in a city that pushes its children from its center to its outskirts where expatriates reside. He suffers from financial hardships, while a love story grows between a boy and a girl who meet at night in the rain.

In a sad land, violence takes over one of its girls, turning her life into a hell whose flames are fanned by those closest to her. Hayat, a simple girl lives governed by ignorance, bigotry, and deprivation. She spends her days according to what is destined for her, growing up without love, without dreams, without hope. One day, fate brings her a disaster from which there is no escape except a death sentence. At the moment death appears imminent, fate intervenes once again to open a new horizon for life, but with an irreplaceable loss. Hayat, a story of a journey through worlds of secrets, fear, and escape in search of salvation.

In the late 30s, the family of the sailor Salah Hazoum arrives in the city of Latakia coming from Alexandria. His son Saeed searches for him in vain after he hears many rumors about his disappearance. The son decides to become a sailor like his father and works on a boat with Captain Abdosh. Based on the novel 'Dagal' by Hanna Mina.

A newly graduated young doctor has hopes of making his way steadily in his country, or of traveling to another country in order to achieve his dreams. In the village, he wakes up from his rosy dream he lived before he traveled to a harsh reality, after he is accused of murder.

A close look at the modern life details of people representing different social strata, from a street vendor to a political intellectual, touching upon the story of two lovers whose life paths have faltered, as well as a crane operator who doesn't want to leave his homeland despite the circumstances.