RTS

After Angelica is disturbed by her adult son Mattia in her relaxation bath, she is finally able to let go. She begins to masturbate in front of the poster of footballer Valenti, her son's idol. Suddenly, Valenti's gaze fixes on her… a cry for help. An absurd euphoria spreads: the miracle crystallises into a struggle for power and intimacy between mother and son.

A behind-the-scenes look at the of how the Paris Opera is run under the direction of Stephane Lissner.

Told episodically and bordering between the fictional and the documental, the film intimately interweaves the life stories of young women who no longer have a real home with their own families. They are given refuge in a temporary youth home, where they and their carers bond to form a new family. La Mif is a safe haven for wounded protagonists who do not spare themselves or others.

Hoping to launch a career in the world of luxury, Charlie enrolls at the last finishing school in Switzerland.

18 years after his last film, (The Troubles We've Seen), Marcel Ophuls emerges from retirement as one of our last masters, the most corrosive, the funniest as well. And the most forceful. The director of The Sorrow and the Pity shares with us stories of his exceptionally rich life in this light-hearted yet bitter escapade though the century and the movies. Son of the great Max Ophuls, he is generous in his admiration. We also meet Jeanne Moreau, Bertolt Brecht, Ernst Lubitsch, Otto Preminger, Woody Allen, Stanley Kubrick and of course François Truffaut. There are no great filmmakers without a memory, so here is the memory shop of Marcel Ophuls.

At the height of her career, Lina, a 34-year-old Argentine stylist, is driven by a sudden impulse after an award ceremony in Switzerland. Back in Buenos Aires, she says nothing, but something in her has shifted – quiet and invisible, it subtly unravels a past she thought she had left behind.

Marking the opening of the 60th edition of the Montreux Jazz Festival, RAYE invites a host of international pop stars to join her on stage for an evening of music.

The key to the communal laundry room in the block of flats on the Rue de Genève 85 in Lausanne serves a much greater function than merely unlocking the door. This encounter between a symbol of typical Swiss mentality with a penchant for order and the tenants who have been housed here by the city’s social services department is not something to be taken for granted. Although the laundry room is normally located in the cellar, the tenants in this building share a tiny laundry room off the entrance hall because the cellar is reserved for prostitution. To maintain order and cleanliness, the landlord hires Claudina, a new “laundry woman”.

At the end of an unsuccessful fishing trip, a small trawler’s desperate captain and crew ultimately agree they have to do something risky, but potentially lucrative, to change their fortune.

Radios echo across Niger, connecting lives through news, music, and debate. This gripping doc explores how this everyday device becomes a lifeline in a changing nation.

Marie-Thérèse Porchet has been unemployed for two years due to COVID. After trying every odd job imaginable, an unexpected opportunity presents itself: hosting a gala in Morges-sous-Rire. Determined to reinvent herself, she invites comedians from all walks of life to brainstorm ideas for a career change. Marie-Thérèse: singer, magician, or comedian? Good idea or bad idea?

Between 1947 and 1951, more than 80 000 Greek men, women and children were deported to the isle of Makronissos (Greece) in reeducation camps created to ‘fight the spread of Communism’. Among those exiles were a number of writers and poets, including Yannis Ritsos and Tassos Livaditis. Despite the deprivation and torture, they managed to write poems which describe the struggle for survival in this world of internment. These texts, some of them buried in the camps, were later found. «Like Lions of stone at the gateway of night» blends these poetic writings with the reeducation propaganda speeches constantly piped through the camps’ loudspeakers. Long tracking shots take us on a trance-like journey through the camp ruins, interrupted along the way by segments from photographic archives. A cinematic essay, which revives the memory of forgotten ruins and a battle lost.

Six soldiers and their lieutenant are on an exploratory mission a few days before the end of a training course. Unfortunately, due to a mistake, the group gets lost and accidentally ends up on French territory. The lieutenant is then faced with a real dilemma: returning to Switzerland via the nearest customs post means accepting the legal consequences—in fact, any Swiss national who crosses the border with an assault rifle is automatically considered a deserter—or returning to the country illegally through the forest, which is foreign territory and sometimes dangerous.

As winter sets in and P.A. sees the world shifting around him, he starts to observe strange phenomena in the environment. The changes are imperceptible at first, but gradually his whole world seems to be on the brink.

In 1964, Che Guevara asked the young Jean Ziegler to stay in Switzerland to fight in the "Monster brain" capitalist. Since then, Jean Ziegler nerve stops fighting against injustices as a public writer, a speaker and as a Kofi Annan collaborator. During a trip to Cuba, his ideas are challenged by what he discover on the island.

The personal stories of the people from all around the world waiting for a decision in an asylum-seekers centre in one of most restrictive countries in the world, Switzerland.

Giulia Tonelli, principal dancer at the Zurich Opera House, returns from maternity leave. She has to fight to find her place and a new balance, between the competitive and extremely demanding world of an elite ballet company and her new family life.

In a small town on the edge of wild country, an eccentric and delinquent mother has had enough of the rules. Crushed by her mistakes and by a society that doesn't give a damn – or a second chance – to people like her, she'll do anything to prove to her children, and to herself, that she still is a good person.