RTS

In a small town on the edge of wild country, an eccentric and delinquent mother has had enough of the rules. Crushed by her mistakes and by a society that doesn't give a damn – or a second chance – to people like her, she'll do anything to prove to her children, and to herself, that she still is a good person.

After his mother’s death, Zucchini is befriended by a kind police officer, Raymond, who accompanies him to his new foster home filled with other orphans his age. There, with the help of his newfound friends, Zucchini eventually learns to trust and love as he searches for a new family of his own.

Diane Kramer is led by one obsession: to find the driver of the mocha color Mercedes which hit her son and devastated her life. With a few belongings, some money and a gun, she goes to Evian, where she's learned the driver lives.

Garlat, a former cop, agrees with Voltaire's maxim, but when confronted with evidence manipulation in one of his former investigations, he is forced to ask himself other questions. Is memory selective? Did he really fabricate evidence? So who is he? And is this man in prison guilty? With his son, Nicolas, a cop like him, Garlat returns to Paris and takes up the investigation again.

A pediatrician's chance encounter with an old acquaintance inspires her ill-timed confession to a past drunken sexual daliance while her husband looks for a parking spot.

David Miller wants to die and chooses assisted euthanasia. He planned everything: the place, the time and the manner. However, nothing goes right. With Esperanza, member of the association, and Tréplev, young prostitute, David embarks on his ultimate night with total strangers.

To avoid facing her heavy past, a young woman with a borderline personality tries to seduce her strange neighbor. A singular love story between these two lonely and wounded souls is born, but will it be enough to save them from themselves?

18 years after his last film, (The Troubles We've Seen), Marcel Ophuls emerges from retirement as one of our last masters, the most corrosive, the funniest as well. And the most forceful. The director of The Sorrow and the Pity shares with us stories of his exceptionally rich life in this light-hearted yet bitter escapade though the century and the movies. Son of the great Max Ophuls, he is generous in his admiration. We also meet Jeanne Moreau, Bertolt Brecht, Ernst Lubitsch, Otto Preminger, Woody Allen, Stanley Kubrick and of course François Truffaut. There are no great filmmakers without a memory, so here is the memory shop of Marcel Ophuls.

A veteran actress comes face-to-face with an uncomfortable reflection of herself when she agrees to take part in a revival of the play that launched her career 20 years earlier.

A drama set at a Swiss ski resort and centered on a boy who supports his sister by stealing from wealthy guests.

Yvan De Wiel, a private banker from Geneva, is going to Argentina in the midst of a dictatorship to replace his partner, the object of the most worrying rumors, who disappeared overnight. Between hushed lounges, swimming pools, and gardens under surveillance, a remote duel takes place between two bankers who, despite different methods, are the accomplices of a discreet and merciless form of colonization.

Early 20th century, in the Ughetto family's home village, Ughettera, Northern Italy. Life in the region had become very difficult and the Ughettos dreamed of a better life abroad. Legend has it that Luigi Ughetto crossed the Alps and started a new life in France, thus changing his beloved family's destiny forever. His grandson retraces their story.

“Respect for the vanquished”, remarks Steve “is what separates man from beast.” As a champion in Swiss-style wrestling, Steve knows a thing or two about observing codes of combat. But when his family farm faces repossession, he is forced to join hands with his ex-convict brother Joel and enter the lucrative, clandestine world of no-rules fighting.

On July 11, 1897, three men - the Swedish engineer Salomon August Andrée and his companions Nils Strindberg and Knut Fraenkel - set off from Spitsbergen for the North Pole in a hydrogen balloon, a daring attempt to conquer the Arctic from the air. Contact is lost after a few days. They are never seen again. Thirty-three years later, on August 6, 1930, a sealing ship makes a chilling discovery on the remote Island of Kvitøya, the northernmost part of Svalbard. The expedition’s remains, bodies frozen in time beneath the snow, alongside journals and undeveloped film material. Ninety-three of the 240 recovered photographs are salvaged. The documentary reconstructs this expedition between delusion and vision, between scientific ambition and human vulnerability as a compelling mosaic of past and present – ​​an archaeological crime thriller about the price of discovery, the beauty of the unknown, and the melting of memory in the ice of time, with a touch of tragic, unrequited love.

Marking the opening of the 60th edition of the Montreux Jazz Festival, RAYE invites a host of international pop stars to join her on stage for an evening of music.