Carrousel Films

In 2001, far from the space ships, Argentina suffers a social and economic crisis that rages the fury in the streets. Looting, violence and terror are part of the everyday landscape. Fear overflows the atmosphere and families are breaking down in a rarefied climate.

A case of mistaken identity becomes a living nightmare when a young actress finds herself relentlessly assailed by debt collectors.

Juan is a 35 year old man whose hobby is bodybuilding. He works in a factory, where despite its huge and muscled physique, is mistreated by his bosses and colleagues. His biggest dream is to leave that life gray and a better life, especially owning your own gym, but has yet to collect some money. And that is, when, in the evening of another of his routine days, attends a terrible episode before which makes a decision that suddenly puts a moral crossroads.

At a very particular time in her life, Kristin has two unexpected arrivals. One is menopause. The other is a beautiful young woman who will shake up her dull married life. Heat, cold, black, white, color, languages, climates that appear and disappear, ghosts of a period that ceases along with a question that arises and corners her: how long does a body have time to be moved?

How are biographies charted? How is identity constructed? Can we relive our past, reinvent it, rearrange or recycle it? Can we really know who we are if we ignore where do we come from?

After suffering the Holocaust, Sara Rus emigrated to Argentina where she was an activist in Madres de Plaza de Mayo Línea Fundadora for the disappearance of her son Daniel during the military dictatorship. Her mission is to keep the memory alive. Her granddaughter wonders what to do with her grandmother's memories and experiences, what is the exact distance from the past, what to do with that legacy.