IESAV

Farid, who works abroad, locks himself on the last day of his stay in Beirut in his son Rawad's room, to find what he is hiding there. Separated by a locked door, the dysfunctional dynamic between them intensifies, and the past resurfaces.

In Beirut, a couple in their early thirties turn their window into a front-row seat to the steamy lives of the neighbors across the street. What begins as witty play-by-play and harmless voyeurism quickly backfires: the more they watch, the more their own dormant sex life comes under the spotlight. As jokes sharpen into accusations, desire, ego, and resentment collide, exposing the cracks in their intimacy.

Jude is spending the last days of his summer break with his parents, who are emptying their house in the countryside. He feels distant and detached and prefers to spend his time alone. One day, he meets by the river, a boy his age with whom he will form a strange relationship.

In a future where the Arab world is brutally divided, the young revolutionary Mariam is trying hard to distinguish friend from foe as she clashes with her leader Kamal right ahead of her camp’s biggest battle against a ruthless enemy.

In a world where all kind of art is banned, Georges and his friends decide to start a revolution.

A week before his First Communion, Youssef, a ten-year-old Maronite boy, discovers masturbation and with it, the concept of sin. He tries to negotiate his own deal with God while pressure mounts on him from all directions: his mother, brother, and the parish priest.

A free adaptation of Ghassan Kanafani's short story "A Hero in a Cell." Kanafani's original text explores the difficulties of constructing a political narrative while examining the nuanced relationship between political discourse and storytelling. The adaptation presents a political narrative that prioritizes visual and auditory elements over conventional dramatic techniques.