Bunker Theaterzaken

Stage registration of the sixth comedy special by the Dutch comedian Micha Wertheim. The comedian notices that he has found his own audience through the years. But Wertheim also notices that his audience projects their own biased opinion on the performance, and there's nothing that Wertheim can do to change that opinion.

Registration of the seventh solo show by Lebbis (Hans Sibbel).

Registration of the twelth solo program by the Dutch comedian and singer Lenette van Dongen. Van Dongen seeks freedom and silences her inner critics, such as Annie from the laundromat. From the Milkshake Festival to camping adventures and a trip through Canada: she discovers how being yourself can be liberating, but also how difficult freedom can sometimes feel. With sharp observations about single life and unexpected topics, Lenette proves that growing older is anything but boring.

In his sixth comedy show the Dutch comedian Kees Torn tells that his impresario no longer allows him to talk about his girlfriend, his love for cigars and whiskey. That's why he's only talking about politicians, television personalities and important things like the QWERTY keyboard layout.

Stage registration of the fourth comedy special by Dutch comedian Micha Wertheim. A show about anger, repetition, change, and repetition.

The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.

In this comedy show the Dutch comedian Katinka Polderman explains (in songs and stories) how her motherhood influenced her view of the relationship between humans and animals.

Registration of the second theatre program by the Dutch comedian Lisa Ostermann.

Oudejaarsconference about the year 2023 by the Dutch comedy duo Lebbis & Jansen (Hans Sibbel and Dolf Jansen).

Award-winning artist Wim Helsen proves in his fifth theater performance that he not only has deep, absurd thoughts, but is also a good listener.

Lebbis tackles the more absurd aspects of our world and the importance of finding genuinely meaningful experiences in our lives.

Registration of the first theatre program by the Dutch comedian Lisa Ostermann.

The first show by the Dutch comedian Kasper van der Laan.

The Oudejaarsconference (New Year's Eve performance) of the year 2023 by the Dutch comedian Micha Wertheim.

The third theatre program by the Dutch comedy duo De Partizanen (Merijn Scholten and Thomas Gast).

In his eighth show the Dutch comedian Hans Sibbel aka Lebbis looks for the interest that people have in their clarity and truth, and then kicks dents in it. Show recorded in the open air in the summer of 2013.

In his (Poelifinario price winning) seventh comedy show the Dutch comedian Kees Torn remembers the death of loved ones. Torn reflects, in his own way, on life and death.

Registration of the sixth solo theatre program by the Flemish comedian Wim Helsen. An absurdist story.

This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.