Comedie +

After two shows where he delighted his audience with (falsely) misogynistic reflections, Olivier de Benoist returns to the stage, this time decided not to attack women anymore. Finally, less than usual ... With 0/40 years old, where he tells his life from birth to today, the humorist wanted to abandon the macho character who had made his success. But for lack of common thread and inventive staging, the show turns out to be wobbly. Not bad, certainly, with even a few good moments, but not convincing either. If the initiative was laudable, the result is likely to satisfy neither the frustrated fans of not finding everything they liked nor those who wanted to discover Olivier de Benoist in another register. Recorded in La Halle aux vins, parc des exposition, Colmar.

The seventh edition of this comedy gala, featuring a series of improbable, surprising and never-before-seen duets, is all about ambition. On stage, several generations of comedians, from the established to the young, all with a single objective: to make people laugh, whatever it takes.

My name is Arnaud. I'm going to play in the Trio show with Baptiste and Jérémy. I've been asked to write the pitch for the show. As I write these lines, I don't know anything about it. But basically, this is how it's going to happen: we're going to write a show and it shouldn't go as planned because of one person. Apparently me. Thanks to my great experience, I'll save the evening. Baptiste will follow me with his eyes closed because he loves me. Jérémy will yell at me because he's an idiot. But what's certain is that you're going to laugh a lot. And so will we.

The Almost French Comedy tackles another classic by Molière, "The School of Women". A fop as a hero, an attractive heroine and a thwarted love story: the ingredients are there, but the staging is not classic. The troupe invites spectators to a Bollywood version, based on Molière's play.

This documentary looks back on a career of a woman who, very early on, refused to accept the roles assigned to her. In the 1980s, while others were trying to please, she wrote "Les hommes préfèrent les grosses" (Men Prefer Fat Women), a manifesto ahead of its time, funny, feminist, and blunt. Later, with "Gazon maudit" (Damned Grass), she tackled homosexuality with a freedom that is still shocking today.

69 artists from all walks of life take to the stage to perform a 69-second creation on the themes of love and sexuality.

On the occasion of the fortieth anniversary of the death of Louis de Funès, this documentary by Jacques Pessis pays tribute to the cult actor by retracing his career through excerpts of his greatest successes in the cinema and in the music hall, never-before-seen archives, as well as testimonies from personalities and relatives.

Marina Rollman asks herself questions on stage.