Pablo

Alarmed by the news that for each working Italian there's a retiree, 70-year-old Walter decides to do his part by helping "a young person who's working for him." He chooses Piero, a model worker and upstanding citizen so shy that he can't bring himself to declare his feelings for night-time street cleaner Francesca. Walter starts giving him some old-hand advice on the matter.

The Resistance, an ancient theme. Almost always approached from a realistic, if not documentary, perspective. Yet memory reworks in a fantastic, sometimes sinister, way all kinds of memories, even dramas. It is from this point of view that first-time director Daniele Gaglianone (34) approached the subject, despite his deep historical knowledge of the period (he has been working with the National Archive of the Resistance for years). In an interior, rather than intimate key: two old men meet by chance the fascist hierarch responsible for a terrible massacre, and they do not know whether to forgive or avenge. The past then mixes with the present, up to a third dimension that becomes a real character, in the finale: the decision made by the two will turn out to be unsuccessful and then, in order not to "die," the old men will build a perverse inner game capable of remedying every pain...

A story of friendship in a squalid suburb of a city of southern Italy. Alexander and Ferdi come from poor families and live in a city in decline, where there is no future.

Police officer Antonio is murdered by Eli, a girl of few words; Arm, a boy struggling with the problems of adolescence; and French, a man of faith and a heavy smoker. Commissioner D'Angelo, who finds the body on the banks of the Po River, arrests the three alleged murderers, but lacks any conclusive evidence.