Wakamatsu Production

In 1923 a Japanese comes to Munich and immediately falls in love with a street artist with a red hat, without knowing her past is. She turns to the Japanese, for the first time she thinks she has found her really great love- exotic stranger attracts her. They say a lot, but they do not understand each other - but they can show their love. Nevertheless, the relationship is doomed to failure from the beginning. Disappointment, death and loss.

After saving a girl from rape a bored rail worker finds out about a chemical that makes people sleep and gets carried away into a new, violent, world of ideas.

A woman believing to be a legendary immortal nun attracts people looking for answers to their life struggles.

Pinku from 1968

The story of a village woman given the grueling task of looking after (and fulfilling the sexual needs of) her quadruple amputee husband, a Japanese soldier in the Second Sino-Japanese War who has been decreed a "War God" by the Emperor.

Pinku from 1972.

On their way back from the Cannes Film Festival in 1971, filmmakers Wakamatsu Koji and Adachi Masao visited Lebanon to meet Japan's Red Army faction and the Popular Front for the Liberation of Palestine to shoot a newsreel film promoting the Palestinian resistance. Conceived as a ‘declaration of world war’ that implicates us all, the directors capture the everyday banality of military training and preparation exercises for imminent battle.

A militant revolutionary group is torn apart by betrayal as its members descend into paranoia and sexual decadence.

Based on the factual case of a young man who broke into a nurses' home in Chicago, mutilating and killing several of the inmates, Wakamatsu's film is a precise, sad delineation of a particular aspect of masculine sexual consciousness.

Pinku from 1971

Two of the most radical student groups form the United Red Army (URA) and head into the mountains to conduct a training camp. Ideology devolves into despotism, and the URA's leaders begin to arbitrarily persecute their followers, a harrowing ordeal that culminates in violence and murder.

A young and beautiful female instructor. While she has a physical relationship with a guard, she also serves as a spy for the warden. She disguises herself as a prisoner and sneaks into the cells, cleverly finding out the prisoners' secrets and reporting them to the warden. As a result, a thought criminal commits suicide, and a colleague who became involved in lesbian relations with a female prisoner is punished.

A salesman is looking in the city of Tokyo for his lost son. But he becomes increasingly angry at the young and radical hippies, who are not the least helpful.

Go, Go, Second Time Virgin is the story of two damned and abused teenagers who meet and fall in mutant love on a Tokyo rooftop. Their only hope is to cement their love with an escape into oblivion.

A detective investigating a serial rapist discovers that he and the perpetrator come from the same lineage of depraved individuals, a genealogy of violent and sexually perverse deviants that stretches through the Meiji, Taisho and Showa eras and can even be traced back to the Edo era.

Sennen no yuraku is set in a small community called “Roji” where Kenji Nakagami—one of the most famous novelists in Japan—drew the absurdity and passion of life since its inhabitants have been living and dying. There were beautiful men in “Roji” who struggled to live with the blood of the Nakamato Clan, blood called “noble yet unholy.” Oryu, a midwife, has watched all those men growing up, living and dying... She is now aging old and starts to talk with the dead men souls of the Nakamoto Clan...

A hitman focuses on his job hoping to retire quickly and richly. But the betrayal of his clan and those he loves endangers his plan.

A small gang of revolutionary students is hidden away by a small-time thief. While they are in hiding, everyone except the thief takes turns engaging in sexual activities with a girl who appears unhappy and perhaps unwilling, having had the misfortune of getting involved with them.

In Spring 1969, 21-year-old Megumi Yoshizumi goes to Wakamatsu Production. The company makes films popular with young people. Pink film director Koji Wakamatsu gathers there with young talented people who are all fascinated with movie making. When they are not making movies, they spend their time smoking, drinking alcohol, scouting for actresses and looking for material for their next film. When filming begins, everybody immerses themselves into the production and will do everything on the filming set from running, shouting to acting.