Alienated from the rest of the scientific Institute in which they live, a lonely housewife and her teenage son break the ultimate taboo, with only their submissive maid to bear witness.
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Natasha runs the canteen at a secret 1950s Soviet research institute. This is the beating heart of the DAU universe, everyone drops in here: the institute's employees, scientists and visiting foreign guests. Natasha's world is a small one, split between the demands of the canteen during the day and alcohol fuelled nights with her younger colleague Olga, during which the two confide their hopes of romance and for a different future. At a party one evening Natasha becomes close to a visiting French scientist Luc Bige and the two sleep together. The following day her life takes a dramatic turn when she is summoned to an interrogation by the KGB's General Vladimir Azhippo who questions the nature of her relationship with the foreign guest.
Feb 2020
Katya, a young librarian, believes in love, but her ideals are crushed by reality. After a string of disappointing affairs, Katya finally finds tenderness and understanding in the arms of her colleague, a journalist called Tanya. But then the First Department interferes: the state security services see this relationship as unacceptable for a Soviet woman.
May 2020
A secret Soviet Institute conducts scientific and occult experiments on animals and human beings to create the perfect person. The KGB general and his aides turn a blind eye to erotic adventures of the director of the Institute, scandalous debauches of prominent scientists and their cruel and insane research. One day, a radical ultra right-wing group arrives in the laboratory under the guise of test subjects. They get a task - to eradicate the decaying elements of the Institute’s community, and if needs be, destroy the fragile world of secret Soviet science.
«The Return of the Prodigal Son» is the first volume from the film (novel) of Anatoli Vassiliev’s «Empire» inside the Dau cycle. The story is about inner kinship, which is much closer than blood, about inevitable betrayal, about almost fatherly love and forgiveness. Cigarettes (papirossa), images from «Faust» and «Don Juan», walks in the Soviet Park of culture... And a terrible, narrow gap inside the brutal regime where you have to be skilled enough to survive... Yes! and they also play gorodki (skittles) with childish passion!
Maxim and his comrades-in-arms are participating in top-secret experiments into the creation of a new man. The employees of the secret Institute are characterised by everything Maxim detests: alcoholism, depravity, weak will, loss of ideals, and lack of faith in the future. Vika, one of the waitresses in the Institute's cafeteria, falls in love with the young communist, though she is scared by his fascination with eugenics and his violent tendencies. Vika hopes that her passion and tenderness will soften Maxim, while the state security agents keep a watchful eye on their developing relationship.
Two scientists grow old and weary together in a secret Soviet Institute, their unconventional friendship the only consistency in a lifetime of personal and professional disappointments.
It is 1956. Dau is a distinguished Soviet scientist who meets up with the love of his youth – Maria, a Greek actress – during her three day visit to Moscow. They haven’t seen each other for 25 years. Dau is a successful and prosperous scientist, but feels excruciatingly dissatisfied with his family life. Through Maria he hopes to regain lost harmony and beauty, but reality intrudes when Nora, Dau’s wife, returns home.
