Echo Park Film Center

This film is a secret and also an offering. When we add our initials we are the closest thing to love, to teaching and to a certain greatness. We met in the worst year of our lives and somehow you chose to save me and I to adore you.

Urban symphonies are a genre within experimental and documentary cinema: architectural recordings, everyday actions, travel diaries. This film-performance shares scenes of Los Angeles filmed in 2022. Geometric forms, human movement, glazes, reflections, the interplay of filters, and the transition from black and white to color expand the image, opening multiple windows. A pulse-pounding depiction of this great metropolis.

Facilitated by Echo Park Film Center, Hanoi Doclab and the Goethe Institute, The Sound We See: A Hanoi City Symphony invited a group of young Vietnamese filmmakers to explore their city on film, shooting with Super 8 cameras and processing/editing the images by hand.

Making Space is a film about trying to find oneself in the constant flow of change and renewal, navigating through the anxiety that comes with not knowing where ‘home’ is, and finally letting go of the need of finding one single person, place, or answer that will solve all your problems. It’s also a film about faces, closeness, and intimacy, and how a Super 8 camera allowed her to get closer to the people she was portraying while also keeping a protective distance. This film was part of a project commissioned by the Echo Park Film Center for the 20th anniversary of its location in LA. The project was supported by the Mike Kelley Foundation for the Arts. Making Space was shot in 2021, entirely on KODAK TRI-X Reversal Film.

8mm film shot with an 8mm Bolex and then a 16mm Bolex for a double exposure; Commissioned by Echo Park Film Center, with funding from the Andy Warhol Foundation for the Visual Arts.

In Cannery Row, John Steinbeck refers to the Monterey dawn as the hour of pearl or "the interval between day and night when time stops and examines itself." Transposed to a community of fishermen at the Ventura Pier in 2017, these words offer a new kind of insight.

Li'l bunny moves past her fear of losing her home and into action and recruitment.