Silmviburlane

"Roots" tells six very personal stories - a first, big love, the loss of a child, ageing, infidelity, fragile relationships with close ones. Six different views on what our family and environment has left in us and what we leave behind.

The prospect isn't good: situation seems like jail, porridge bowl bottomless and time is running out. An unexpected discovery changes it all though.

For 25 years, world-famous Estonian clowns Haide and Toomas, better known as Piip and Tuut, have brought joy and laughter to children and families across the globe. But behind the face paint and curtain lies a different story. While entertaining thousands, their own children – Emma, Siim, and Anni – have been growing up at home without them. Eldest daughter Emma dreams of following in her parents' footsteps, but balancing her passion for theatre with caring for her autistic brother and younger sister has forced her to grow up fast. Meanwhile, Haide and Toomas grapple with guilt, exhaustion, and the toll of trying to give their all both on stage and at home.

In his own way, Anatoli Ljutuk is a legend of Tallinn's Old Town - a man from Western Ukraine who has built a unique world on Laboratory Street, the main core of which is the Ukrainian Cultural Center and Church. There, he engages in calligraphy, makes paper in a medieval way, carves traditional wooden toys in his workshop and makes books in the spirit of old monasteries. According to the oath taken a quarter of a century ago, he has promised to create something good every day. His daily commitment is challenged by the war that broke out in Ukraine, which Anatoly cannot passively ignore.

The director's parents Tiina and Ülo have saved more stuff in their home throughout the years than they have space to live. Useless piles of clothes, old newspapers and dishes block the way to the dinner table or bed. This is a story about a love for things and the difficulty of letting go of them.

Right alongside Jerusalem, in a Russian Orthodox Convent in the Mount of Olives, in the middle of the Arab quarter, lives the 82-year-old Estonian nun Mother Ksenya.

The story of human error. Every time he goes to bed and turns off the light, he remembers something urgent: the toilet seat is not lowered, the Slippers are not parallel, the tap water is dripping… Unfortunately, the small house where all this happens is on the beach. How does it look at night from the sea? Yes, disaster is inevitable.

A story of a mother and her son and a race against a tortoise where you always lose.

Sewing Machine is a film about the town of Pechory (Petseri) and its people, told through the life story of my great-grandmother. My great-grandmother’s father, who was the deputy mayor of Pechory, was killed by the Bolsheviks because he refused to give the keys to the town monastery to the revolutionaries. A few months later, the armored trains of the Estonian War of Independence reached Pechory, and the town was liberated. One of the soldiers of the armored train, a Danish volunteer, had a film camera with him, and he recorded the oldest film footage of Pechory, and somewhere on that film is also my great-grandmother.