PT Prasidi Teta Film

Since childhood, Nanin’s parents taught her to be a pious woman and show devotion to her husband. But Nanin has difficulties in expressing it, although her marriage with Hendrawan has been blessed with two children. As a husband, Hendrawan neglects his wife’s feelings. Hendrawan, who lives in Jakarta, starts to cheat with another woman, Eva. Eva even tells Nanin, in Bandung, about her marriage plan with Hendrawan. When Nanin’s inner turmoil reaches its peak, she meets Salman, a student of ITB (Institute of Technology, Bandung). Nanin and Salman share similar views towards life, which make them really close. Hendrawan finds out about this relationship and he is jealous. At the same time, Nanin files for divorce. Hendrawan’s mother tries to prevent the separation while her husband blames Nanin for not being able to take care of him. Nanin doesn’t care anymore. After Salman gets his engineering degree, their friendship gets closer and divorce is inevitable.

Set in early 20th century Bali, the king of Tabanan is killed, but his daughter, Gusti Ayu Pandansari, survives. She is hidden and raised in a fishing village by loyal followers of the king, I Murda and I Kompyang. Sari is raised along with Murda’s sons, Jaya and Pageh.

It tells the story of Ramadhan and Monita, two people with opposite personalities who become entangled in a push-and-pull romance, presented with clever humor and social satire.

Agus leaves his wife and the three children. After many years, Agus wants to return but he has to apologise to his wife and children, namely Anwar, Dani and Aini. But Anwar, the oldest son, who has been supporting his family all these years, rejects him.

Dedi (Dede Yusuf), who married Menul (Ayu Azhari), when they were very young, tries to make a living as a clown at an amusement park. This job does not pay enough for him to make ends meet, so he and a number of his friends try to find a way out of the poverty they are trapped in. The opportunity comes when they find a the wallet of a wealthy man, who is impressed when they return it to him, and provides them with the capital to open a food stall, which they use as a stepping stone toward opening a restaurant. Through this story, the director, Chairul Raya, attempts to depict the way of life of the poor, while using the subplot of the love story between the clown and his wife to display his disdain for the mainstream tendencies in the Indonesian film industry. This film is at once moving and humorous.

All sorts of unlikely figures come to prominence in wartime, no matter what the country. Indonesia is no exception. In this comedy, Naga Bonar, a pickpocket who has seized the opportunity of the moment to declare himself a general in the Freedom Forces during the chaos of the Japanese occupying forces’ withdrawal in 1945, as the Dutch attempted to reassert their control over the area. However, soon a mask becomes his true self, and he becomes a true soldier and patriot.

Johan Ten Berghe joins the Dutch army when the Dutch East Indies unilaterally declare independence as Indonesia. He initiates his naive driver Twan in life in the East, having grown up there as son of colonial official Hendrik, now missing. Their adventures intertwine with Johan's childhood memories, especially concerning his native best friend, Oeroeg, who joined the rebellion, as well as their nanny and later de facto stepmother. Conflicting loyalties become tangible in extreme situations